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| EFC STATS |
| Movies Listed: |
26324 |
| Total Ratings: |
247314 |
| Total Reviews: |
26435 |
![[124996043 Hits]](/cgi-bin/gd.cgi?124996043)
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| NORTHERN BORDERS |
"Another well-spent visit to the Northern Kingdom."
Jay Seaver says... "Having lived in New England my entire life, I'm mildly curious as to whether Jay Craven's "Northeast Kingdom" films were ever particularly visible outside the region. They're local and low-budget, but fairly well-made, and usually have one or two people the audience will recognize in the cast. In this case, that's Bruce Dern and Geneviève Bujold, and the movie is plenty good enough that they're not out of place." (more)
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| OCULUS |
"A fun, clever twist on classic horror stories."
Jay Seaver says... "I likely won't actually have the time to sit down and plot out what the characters are doing to check and see if it all fits together when "Oculus" is released on video, but I'd kind of like to do so. While one does not really need an excuse to watch a fine horror movie again, there's something especially admirable about the ones which take pride in their intricate construction, especially when they are still able to provide legitimate jumps." (more)
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| FINDING VIVIAN MAIER |
"A fascinating discovery, even with the missing pieces."
Jay Seaver says... "The recently-discovered photography of Vivian Maier is striking, impressive enough that even those of us with no particular expertise in what makes a good picture can look at one and recognize something special without some sort of hook. They've got one, though, and "Finding Vivian Maier" is an intriguing look at the photographer's story." (more)
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| BLUE RUIN |
"Nothing ruins this."
Jay Seaver says... "SCREENED AT BOSTON UNDERGROUND FILM FESTIVAL 16: Say this for "Blue Ruin": It starts from a different place that many movies of its type, and that starting point means that even when it doesn't necessarily go in a unique direction, it still winds up in a new place. Going unexpected places in and of itself is certainly a good thing for a thriller like this, but it still needs some navigation, and writer/director Jeremy Saulnier is an impressively sure hand on the wheel." (more)
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| THAT DEMON WITHIN |
"A packed psychological cops & robbers thriller."
Jay Seaver says... "You can tell from the opening moments of "That Demon Within" that it's not going to be your standard cops 'n robbers movie, and it's sure not going to stand out for how grounded and realistic it is. This is Hong Kong, and while they may not have invented the operatic crime drama, they do it like no-one else, and nobody is doing it bigger than Dante Lam right now. Like they say, bigger doesn't always mean better, but this is one case where going for it yields something pretty great" (more)
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| TRANSCENDENCE |
"A frustrating but intriguing debut for Wally Pfister."
Brett Gallman says... "“Transcendence” looks to be hung up on big ideas, but it’s less a ponderous thesis and more of a good keynote address: it’s flashy, attention-grabbing, full of clichés, and is sold on musings and promises, some of which it actually manages to deliver on. Most of them, however, merely serve as a platform for another technophobic vision of the apocalypse, so Wally Pfister’s directorial debut is but one of many prophets shouting in a crowded landscape." (more)
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| AMAZING SPIDER-MAN 2, THE |
"Swing and a..."
Daniel Kelly says... "2012’s “The Amazing Spider-Man” was a competent work, but its need for being never felt genuine. Repeating an origin story that a superior film-maker had spent the best part of ten years excavating, the reboot was a digestible summer commodity, but hardly a necessary re-evaluation of everyone’s favourite web-slinger. “The Amazing Spider-Man 2” doesn’t really make a great deal of progress in justifying Sony’s franchise continuation (at least artistically). The feature manages to ascertain a greater sense of personal identity than its predecessor, but the script’s a mess and much like Sam Raimi’s franchise halting “Spider-Man 3” suffers a severe faulty villain complex." (more)
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| CONGRESS, THE |
"Highly animated, though not as much as it could be."
Jay Seaver says... "SCREENED AT BOSTON UNDERGROUND FILM FESTIVAL 16: "The Congress" divides fairly naturally into three or four parts, and the Futurological Congress which gives the film is name (and was presumably much more central to Stanislas Lem's original novel) is probably the least interesting despite having the most going on. One almost wonders why filmmaker Ari Folman didn't just make a movie with everything else and cite Lem as an inspiration, because that still leaves a heck of a smart, unusual science fiction film." (more)
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'ART SURE IS UGLY.'
- Pepe, After Hours
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