More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Advertisement

Latest Reviews

Aladdin (2019) by Jay Seaver

All Is True by Jay Seaver

Fugue by Jay Seaver

Aniara by Jay Seaver

John Wick: Chapter 3 - Parabellum by Jay Seaver

Long Day's Journey Into Night (2018) by Jay Seaver

Shadow by Jay Seaver

Be Natural: The Untold Story of Alice Guy-Blaché by Jay Seaver

Hustle, The by Peter Sobczynski

Detective Pikachu by Peter Sobczynski

Mope by Jay Seaver

Tone-Deaf by Jay Seaver

Bolden by Jay Seaver

Savage (2019) by Jay Seaver

Miss You Always by Jay Seaver

Long Shot by Peter Sobczynski

Girl on the Third Floor by Jay Seaver

Industrial Accident: The Story of Wax Trax! Records by Jay Seaver

Asako I & II by Jay Seaver

Wild Nights With Emily by Jay Seaver

subscribe to this feed

Jumping the Broom [Blu-ray Review]
by Brian Orndorf

With Tyler Perry spending his precious time driving his most popular character into the ground to sustain a hold on African-American entertainment dollars, burgeoning movie mogul T.D. Jakes (“Not Easily Broken”) has selected a softer approach for entertainment dominance, taking on the trials of family and marriage with the charming feature, “Jumping the Broom.”



Hurriedly working into a stable union, Jason (Laz Alonso) is ready to marry Sabrina (Paula Patton, frantic but endearing), an eager bride-to-be tickled to finally find a functional relationship. Taking the event to Martha’s Vineyard and the home of Sabrina’s affluent family, Jason reveals some reluctance introducing his postal worker mother, Mrs. Taylor (Loretta Devine), and vocal Brooklyn clan (including Mike Epps and Tasha Smith) to his judgmental, sophisticated in-laws, Mrs. (Angela Bassett) and Mr. Watson (Brian Stokes Mitchell), and their assorted relatives and friends (including Romeo Miller and Meagan Good). As the weekend festivities commence, the families find difficulty bonding, with Mrs. Taylor furious about her initial exclusion, while Mrs. Watson deals with her husband’s possible infidelity and her troublemaker of a sister, Geneva (a wonderful Valarie Pettiford).

Making his feature film debut, director Salim Akil sets an early champagne mood for “Jumping the Broom” that disarms. Though the family feud antics eventually take command of the movie, the first act of the picture sets a tone of reflection and anticipation, set to warm soundtrack cues and inviting cinematography, easing the viewer into lives of the Watsons and Taylors, gently tugging at all the cultural difference that expand once the action settles in at Martha’s Vineyard. Bracing for the worst, I was elated to find Akil interested in establishing romance and personality before soaking the picture in abrasive comedy and melodrama, creating an invitation with the opening moments of the picture instead flicking lit matches at the viewer to make a swift impression.



The screenplay by Elizabeth Hunter and Arlene Gibbs contains a vast amount of supporting characters that all receive some form of attention throughout the film. The bustle of bodies creates an authentic community for Akil to organize, even extending to the help, with randy chefs (Gary Dourdan) and ethnically curious wedding planners (Julie Bowen) getting in on the action. It’s amusing to see the chaos of a wedding weekend in motion, but the script bites off more than it can chew, indulging nearly every actor with some form of subplot that takes attention away from the saga of Jason and Sabrina. The performances are jovial and emotional, some even effectively comical, and the sheer number of faces on display successfully articulates ideas on class warfare and familial jealousy. However, the distractions pile up quickly, with Akil often overwhelmed, losing his initial effortlessness to keep tabs on everyone, regardless of their overall importance to the plot. The script is overstuffed and intermittently random, watering down the drama as story unfolds.



THE BLU-RAY

Visual:

With crisp wedding details and outdoorsy events, the AVC encoded image (1.78:1 aspect ratio) presentation tenders a bright, inviting viewing experience. Clarity is strong, offering textured close-ups and easily scanned background action, with the film’s luxurious set design a real highlight. Colors are sharply defined and offer a swell push of hues, spotlighting vivid costuming. Skintones are accurate, while shadow detail is supportive, sustaining hairstyles and evening events.

Audio:

The 5.1 DTS-HD sound mix carries the comedic air superbly, making sense out of the overlapping dialogue and heated exchanges. Voices sound full and emotional, kept primarily frontal for the most of the action, with a few scenes spread around to achieve the group dynamic. Atmospherics are evocative with the presence of water and assorted exterior elements, while wedding merriment maintains a circular effort. Low-end isn’t pronounced, but it’s supportive at times, while scoring takes a key position, swelling when called upon, satisfactorily separated. DVS and French tracks are also available.

Subtitles:

English, English SDH, and French subtitles are offered.



Extras:

The feature-length audio commentary with director Salim Akil and actors Paula Patton and Laz Alonso sounds like three people who took a “Commentary 101” class before recording. It’s informative, exploring screen-specific events and daily filmmaking challenges, but it sounds a little forced at times, with the trio striving to avoid dead air by bringing up anything they can think of. A for effort, but the track is a little tiring (Patton is a ball of nervous energy) and self-conscious.

“You’re Invited” (23:41) is a standard making-of effort created for cable, highlighting interviews with cast and crew who explore the themes of the movie and their personal movitations. The conversations are impassioned and the BTS footage impressive, but the whole effort is too programmed to really illuminate.

“Honoring the Tradition of Jumping the Broom” (6:27) explores the history behind the titular event, which began life as a slave practice. Interviews chat up the emotional response to the obscure act and its profound meaning.

A Theatrical Trailer has not been included.



FINAL THOUGHTS

When focused on the main players, “Jumping the Broom” reveals a surprising sensitivity with the characters, pitching moments broadly but effectively, offering the gifted cast something substantial to work with. It’s a film concerned with matters of the heart and home, imparting the benefits of communication and patience, wrapped up in a wedding day disaster formula that’s easy to digest. “Jumping the Broom” is rough around the edges with a routine of race jokes and chest-thumping confrontations, but it keeps a humanity about it that’s appealing and respectful.






link directly to this feature at http://www.efilmcritic.com/feature.php?feature=3276
originally posted: 08/08/11 03:55:28
[printer] printer-friendly format

Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
eFilmCritic.com: Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast