More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 

Overall Rating

Worth A Look: 28.57%
Average: 3.81%
Pretty Bad: 1.9%
Total Crap: 8.57%

10 reviews, 45 user ratings

Latest Reviews

Darlin' by Jay Seaver

Astronaut (2019) by Jay Seaver

White Storm 2: Drug Lords, The by Jay Seaver

Vivarium by Jay Seaver

Art of Self-Defense, The by Jay Seaver

Crawl by Peter Sobczynski

Swallow by Jay Seaver

Perfection, The by Rob Gonsalves

Luce by Jay Seaver

Last Black Man in San Francisco, The by Jay Seaver

subscribe to this feed

Good Night, and Good Luck.
[] Buy posters from this movie
by EricDSnider

"A mournful eulogy for TV news reporting."
5 stars

History revisionists like Ann Coulter can bite me: Sen. Joseph McCarthy's communist witch hunts of the 1950s were a black mark on America's public record. That isn't to say communism wasn't necessarily a threat, and it isn't to say there might not have been communists in America with dastardly intentions. But it is to say that McCarthy's campaign of terror was executed with an astonishing degree of inaccuracy and vindictiveness, and that it should not have become as all-encompassing as it did.

One of the men credited with commencing McCarthy's downfall is Edward R. Murrow, a CBS newsman whose weekly "See It Now" program showed the public what McCarthy was doing and let them see why it wasn't right. "Good Night, and Good Luck" is a fantastically compact little film that calmly details the reporter's dogged (and ultimately successful) attempt to bring the man down.

"Good Night" is in black-and-white, both in its color scheme and its worldview. (McCarthy = bad; Murrow = good.) It has a prologue set in 1958, when Murrow (played with exquisite understatement by David Strathairn) is being honored by his colleagues at a banquet. He takes the stage, accepts the award, and blasts his industry for being complacent and soft, for seeking to "entertain, amuse and insulate" rather than inform and educate. His colleagues look down at their dinner plates uncomfortably.

From there we are whisked back to 1953. McCarthy, on an anti-communist tear for years, has lately been conducting his investigation into the armed forces, and a minor news story from Detroit has caught Murrow's attention. An Air Force man has been discharged because his father and sister might have communist leanings, but the specific charges against the soldier are never disclosed, not even to him. Murrow thinks this could be a good entry point into the big-picture view of McCarthyism. The military tries to quash the story. That's how Murrow knows he's on the right track.

When the decision is made to take on McCarthy directly, Murrow and his producer, Fred Friendly (George Clooney), know that all the reporters on his team must have spotless backgrounds. If one of them so much as said hello to a Russian in 1935, McCarthy will surely use it to discredit their reporting.

So in March 1954, an episode of "See It Now" focuses on McCarthy. Murrow presents clips of the Wisconsin senator speaking -- and the film uses the actual clips, not re-creations -- then points out factual errors when they arise. He lets McCarthy's words speak for themselves, and he offers to let the senator reply on the air if he so chooses.

A month later, McCarthy replies. Predictably, his response ignores the inaccuracies that Murrow pointed out and simply attacks Murrow himself. It's obvious that McCarthy is on the ropes. Public tide turns against him. Shortly thereafter, the senate votes to censure him.

All of this is told in an economical screenplay by Clooney (who also directed) and Grant Heslov (who also plays a newsman): Ninety-three minutes with barely an extraneous moment. The one apparent sidetrack is so clearly a mistake that it can't actually be one. It involves two of Murrow's colleagues, Joe (Robert Downey Jr.) and Shirley (Patricia Clarkson), who must keep their marriage a secret because CBS News forbids romance among coworkers. Their scenes are the only ones in the film that provide any glimpse into anyone's personal life. So why is the subplot included, especially considering Joe and Shirley are not the protagonists? I think it's because their fear about being caught parallels the general paranoia of the time. It affects their day-to-day routine, but it doesn't rule their lives. They are able to go on living despite the dangers that lurk.

Contrast this with the sad story of Don Hollenbeck (Ray Wise), the CBS news anchor who idolizes Murrow and who is ruthlessly baited by Red-seeking newspaper columnists. Hollenbeck isn't able to take the strain nearly as well as his hero.

The film belongs to Murrow, though, who is portrayed as the kind of man for whom his work is his life. There are references to a wife, but we never see her. Indeed, we never see him anywhere other than at work. The exception is one scene in a bar -- where he sits with his coworkers and discusses work.

I don't know enough about the real Murrow to know whether Strathairn has captured him, but judged on its own merits, the performance is a knockout. Strathairn has no "big" moments, nothing that stands out as the clip to show at the Oscars. Instead, he gives us 90 minutes of a man who is untiringly fixated on pursuing the truth, doing so with a methodical passion tempered by reason. He doesn't rant and rave, but he doesn't relent, either. He's the rational tortoise to McCarthy's rabid, foaming hare.

There is some pathos in Murrow, too. Though he is enlivened by his victories with "See It Now," he is disheartened by the network exec (Frank Langella) who slowly drifts from supporting his work to wanting something more peaceful (read: advertiser-friendly). Murrow is miserable over the Faustian deal he made, where in order to keep his beloved "See It Now," he must also host "Person to Person," an insipid celebrity interview show. Watch him when he chats with Liberace (from actual footage), who talks about how he's looking for a wife. Strathairn's Murrow looks as defeated as a man can look.

The film, whose title was Murrow's sign-off line each week, was directed and co-written by George Clooney, his second effort as the former (after "Confessions of a Dangerous Mind") and first as the latter. If these first two films of his are any indication, the actor-turned-auteur may prove to be one of the most interesting hyphenates in the business. I am as impressed by the simple, uncluttered narrative of this film as I was by the looniness of the last one. To switch gears that abruptly between films, yet still pull them off with such intelligence and wit, requires remarkable skill.

He captures the feeling of TV news circa 1953 just right. The black-and-white film stock helps, of course, but it goes beyond that, to the newsroom filled with people whose conversations overlap, to the constant smoking of cigarettes in every scene. (Murrow is barely seen without one; he would eventually die of lung cancer.)

Though its story is ultimately uplifting and its hero triumphant, the film has a mournful tone to it, too. There's the sense that, while a short-term victory is in the cards, Murrow's ideal of a TV news program that actually makes a difference is not long for this world. Sadly, of course, it wasn't.

Look at how he came at McCarthy: He showed clips of the man speaking, then pointed out significant errors in fact that McCarthy had made. What TV newsman actually calls anyone on their errors nowadays? Who actually says, "No, that's incorrect, and here's the source to prove it"? I only one I can think of is Jon Stewart, who anchors a comedy show. And there's the state of modern TV journalism for you.

link directly to this review at
originally posted: 10/09/05 09:35:00
[printer] printer-friendly format  

User Comments

9/13/09 Jeff Wilder Great historical docudrama 5 stars
1/16/09 Shaun Wallner Awesome Story! 5 stars
7/30/08 mr.mike It was very well done.4.5 stars. 4 stars
5/19/08 davikariout great presentation 5 stars
3/22/08 Pamela White great chronicle of a man's life 4 stars
10/15/07 fools♫gold well-done and thoughtful 5 stars
6/06/07 gr117 Excellent! 5 stars
4/08/07 Rosie i thought it needed more context. events happened too fast MORE CONTEXT!!!! 2 stars
11/14/06 AJ Muller Means now what it meant then; don't let fear force lies into being the accepted truth. 5 stars
8/17/06 Mary Beth hard to follow; guess I didn't get it 3 stars
8/13/06 R.W.Welch No Hollywood hokum here. Straight stuff docudrama. 4 stars
6/16/06 Billy father, father 2 stars
5/10/06 Craig Call Very well done! 4 stars
5/09/06 Captain Craig Now you know what happened to TV and why! 4 stars
4/24/06 millersxing Powerfully exhibits an attention to detail and a trained focus of the historian's gaze. 5 stars
4/07/06 Quigley one of the most patriotic movies I've seen in a while. strathairn was amazing 5 stars
4/05/06 Annie G I felt like I was watching part 2 of a documentary-when did they introduce the characters? 3 stars
4/04/06 Josh Standlee Sorry, people. It had a great cast, but it ended too quickly. 1 stars
4/02/06 Phil M. Aficionado Precise but not as rich in context as I had hoped; didn't show Murrow as a human w/ family 4 stars
3/30/06 sbpat21 a marvelous film 5 stars
3/18/06 MP Bartley Too insular, but a gripping and intelligent character study. Superb acting helps. 4 stars
3/13/06 Roderick Cromar This is great! A movie for adults! With brains! 5 stars
3/08/06 Piz Straight-forward if not boring account of McCarthy vs Cronkite. Well done but very overated 3 stars
2/27/06 Monday Morning Extremely antiseptic -- smart but NO emotion, just speeches. 4 stars
2/22/06 malcolm brilliant. way more exciting than 'aliens versus predator.' 4 stars
2/14/06 John Senational piece of work - riveting, exiting and alas relevant 5 stars
2/14/06 Jin Horribly one-sided and impotent. McCarthy's work was taken way out of context. 1 stars
2/12/06 KCobain Boring, dull, and wishes it was All The Presidents Men with its abrubt ending to nothing. 1 stars
2/12/06 helen bradley Interesting, relevant, David Strathairn’s portrayal of Murrow brilliant 4 stars
1/03/06 john bale Tour de force by David Strathairn in a finely crafted and credible film. 5 stars
12/30/05 Agent Sands Perfectly handled and realized by one of the greatest & most underrated talents in a decade 5 stars
12/24/05 Green Gremlin :We have nothing to fear but fear itself" - FDR 5 stars
12/18/05 ownerofdajoint The early days of corporate media control over the bewildered herd are well depicted here 5 stars
11/18/05 M.F. superb 5 stars
11/18/05 Robert Braunfeld Caprures a time that seems to be lost but not forgotten 5 stars
11/16/05 Richard Maratea The dramatic scences should not have been filmed in B&W. Major flaw. 4 stars
11/15/05 Taylor Fladgate Oscar Oscar Oscar - take that, Bushie! 5 stars
11/13/05 Titus This was gorgeous, pertinent, and brilliantly executed. Best picture of the year, for sure 5 stars
11/11/05 Ionicera flawed but ambitious and relevent 4 stars
11/05/05 jcjs schizoid J. McCarthy's Hitlerian contamination of freedom exposed by E.R. Murrow, truth 5 stars
11/04/05 baseball-nut Not bad but Clooney can still do better! 3 stars
10/25/05 Suzz perfection in directing, acting, writing and scoring 5 stars
10/23/05 Agent Sands Smart and exquisite filmmaking from one of the greatest actor-turned-directors EVER. 5 stars
10/19/05 the untrained eye proving that "Confessions..." was no fluke 5 stars
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:

Discuss this movie in our forum

  07-Oct-2005 (PG)
  DVD: 14-Mar-2006



Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast