More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Advertisement

Overall Rating
2.34

Awesome: 8.57%
Worth A Look: 28.57%
Average: 2.86%
Pretty Bad: 8.57%
Total Crap51.43%

4 reviews, 11 user ratings


Latest Reviews

Guardians of the Galaxy by Lybarger

Guardians of the Galaxy by Brett Gallman

One I Love, The by Jay Seaver

Get On Up by Peter Sobczynski

Guardians of the Galaxy by Peter Sobczynski

Snow White Murder Case, The by Jay Seaver

At the Devil's Door by Jay Seaver

To Be Takei by Jay Seaver

Hercules (2014) by Daniel Kelly

Hal by Jay Seaver

subscribe to this feed


Penelope
[AllPosters.com] Buy posters from this movie
by Rob Gonsalves

"In a pig's nose."
1 stars

How? How can a movie with this premise and this cast be so mercilessly dull and stupid?

The titular heroine of Penelope (Christina Ricci) was born with a pig snout for a nose, the result of an old curse placed on her family. To break the curse, she must win the love of a “blueblood” like herself. So Penelope’s overbearing mother (Catherine O’Hara) sends for dozens of potential suitors, all of whom run screaming from her hideous visage, crashing through windows. The problem is, Penelope isn’t hideous at all; Christina Ricci is actually rather cute in her prosthetic. So the movie seems off right from the start. If you’re going to make a fable about a woman learning to overcome her deformity, make sure she has a deformity to overcome.

Penelope seems to be set in some fairy-tale conflation of New York and London — half the cast is British, and not all of them bother to Americanize their accents. (The film was shot mostly in London.) People use rotary phones and typewriters, too, so I guess we’re supposed to take the introductory “Once upon a time” title card literally. It’s a whimsical fantasy, then, and it seems to be aimed straight at the hearts of impressionable teenage girls (who would probably rather see Juno again than see this). But it takes forever to get to the point, and our time until then is taken up with the usually dependable Catherine O’Hara obnoxiously playing to the rafters, and a pre-Atonement James McAvoy (Penelope has been on the shelf for at least two years) morosely tickling the ivories after Penelope has rejected him, and Peter Dinklage providing the only mild laughs as a one-eyed reporter who first wants to expose Penelope and then has a change of heart.

I was unsurprised to learn that the movie was written by Leslie Caveny, a writer and producer on Everybody Loves Raymond, and directed by first-timer Mark Palansky, who spent about a decade as an assistant on, and then second-unit director for, various Michael Bay productions. I’d like to think that the creative marriage of a sitcom writer and a Michael Bay protegé might produce a wonderful child, but Penelope is stillborn, even though Reese Witherspoon, in her first effort as a producer, midwifed it. (Witherspoon plays a small, highly extraneous role as Penelope’s new friend who makes deliveries on her winged motorcycle.) What on earth did Witherspoon see in this material?

The minute we lay eyes on James McAvoy, we know he’s going to be the one for Penelope — he’s not like all the other suitors, and he gets a teasing rhythm going with Ricci, who’s otherwise pretty stranded up there, never getting to use her gift for sarcasm or even any garden-variety smarts. Penelope is just pushed this way and that by fate. The movie is surprising in one regard only: I never thought I’d see a movie in which such supporting players as Richard E. Grant (the mighty Withnail himself!), Nick Frost, Russell Brand, and Lenny Henry — seasoned British comedians all; maybe Witherspoon watches BBC America a lot — are completely unfunny. Penelope is useful as an example of how the talents of many — and I include Witherspoon, who I hope has a shinier future as a producer — can be overridden by an untalented writer and director.

It plays like a Lifetime TV movie made by people who love everything about Tim Burton’s work except that dark gothic stuff.

link directly to this review at http://www.efilmcritic.com/review.php?movie=15005&reviewer=416
originally posted: 03/03/08 12:16:53
[printer] printer-friendly format  
OFFICIAL SELECTION: 2006 Toronto Film Festival For more in the 2006 Toronto Film Festival series, click here.
OFFICIAL SELECTION: 2007 CineVegas Film Festival For more in the 2007 CineVegas Film Festival series, click here.

User Comments

4/05/11 Jennifer Marquardt love the moral, modern fairytale, 5 stars
10/02/09 ravenmad sweet, fun, a great modern tale, which isn't easy to do. 4 stars
3/22/09 Kathy ter Plugg Apparently, if you DO like it, you're grammar is bad. 2 stars
3/17/09 Anonymous. those one star reviews suck. 4 stars
8/03/08 PAUL SHORTT A NEAT MODERN FAIRYTALE 4 stars
7/31/08 me this movie kicks butt if you dont like it your a loser. 5 stars
4/20/08 Heather Purplethorne So LOVING HERSELF broke the curse? Lame curse if you ask me! 2 stars
4/19/08 Marvin Anight Gad! Even with pig nose, Penelope's way prettier than anyone who'd ever date me! 2 stars
4/18/08 Brianna Holden Silly melodrama, but Christina Ricci's better in it than she has any damn right to be. 3 stars
4/17/08 anita charmingly beautiful, incredible characterization, heart rendering and above all, beauty co 5 stars
3/03/08 Nicholas Plowman Whimsical and optimistic, Penelope hits all the right notes, with dazzling art direction 4 stars
IF YOU'VE SEEN THIS FILM, RATE IT!
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:


Discuss this movie in our forum

USA
  29-Feb-2008 (PG)
  DVD: 15-Jul-2008

UK
  05-Oct-2007

Australia
  N/A



[trailer] Trailer




Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
eFilmCritic.com: Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2014, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast