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Overall Rating
4.68

Awesome89.29%
Worth A Look: 0%
Average: 3.57%
Pretty Bad: 3.57%
Total Crap: 3.57%

1 review, 22 user ratings


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Plague Dogs, The
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by Rob Gonsalves

"One of the great underseen animated films."
5 stars

In 1979, Martin Rosen's animated adaptation of Richard Adams' rabbit classic 'Watership Down' got a bit of a reputation for being too scary for younger folk. Three years later, Rosen turned his capable hand to Adams' far darker novel 'The Plague Dogs,' which would also get -- and deserve -- the 'too intense for younger children' rep, if it were well-known enough to have a rep, at least in America. (I'm told many British filmgoers' childhoods were warped forever by the film.)

The Plague Dogs begins not on the sun-bathed English countryside (as did Watership Down) but in darkness, with a mournful, echoing gospel-type song with lyrics like "Not gonna feel the pain no more." We also hear splashing. We fade in, and we're inside a secret government animal experimentation lab in the middle of a British national park. A noble black labrador is swimming in a huge water tank; exhausted, he slips under the water and bumps the bottom. A hook fishes him out, and he's brought back to consciousness with electroshock paddles. This dog called Rowf is part of a water-immersion experiment to see how long a dog can swim before he drowns. Welcome to The Plague Dogs. It's not a fun movie. Nor is it meant to be.

Adams wrote his book, he has said, as a dark satire on animal testing, government, and the media. (In the book, the name of the lab site is Animal Research, Surgical and Experimental a sly pun for British readers: check the initials.) When the door to Rowf's cell is left ajar, he escapes with a fellow inmate Snitter, a jittery little dog with a bandage on his head (from recent tampering with his brain). The dogs roam the bleak, rocky countryside, more or less unprepared for life in the wild. Rowf is a cynical, tired old dog who can't take any more immersion tests by the "whitecoats" he figures he's going to die out in the wild, but he'd rather die there than in the tank. Snitter is a bit like Fiver from Watership Down; he has hallucinations of his former life as a house pet, and he wants to find a loving master so he can sit by the fire and be petted and cared for. The dogs are sighted here and there, and after a truly shocking and bloody incident that spells out in neon that this is not a movie for kids, the government redoubles its efforts to capture and destroy Rowf and Snitter. To prevent any citizens from being heroes and catching the dogs themselves or from taking pity on the mutts and sheltering them, for that matter the government feeds the British papers the official lie that the dogs may be carrying fleas infected with bubonic plague.

John Hurt, who lent his soothing tones to Hazel in Watership, returns here as the voice of Snitter, joined by the gruff Christopher Benjamin as Rowf. In due time, the dogs run across a fox named Tod, voiced by James Bolam as a schemer full of plots and immensely satisfying invective the way only the British can deliver it "You bleedin' great sod" and so on. (In human roles, you can hear Nigel Hawthorne as Dr. Boycott, the head of the experiment lab, and Patrick Stewart as an army major.) The two Adams movies gave John Hurt the opportunity to play both ends of the spectrum: as Hazel, he was the level-headed one, and as Snitter he gets to suffer and complain about the cobwebs in his skull. There's a surface similarity between the Hazel/Fiver team and the Rowf/Snitter team, but Rowf isn't the thinker that Hazel was, and the dogs have no real game plan. The rabbits were escaping from one place towards the paradise in Fiver's visions; the dogs are just escaping, and the only paradise in Snitter's visions is the one in his past, the one he can never have again.

Somewhere near the middle, after the dogs have passed the point of no return, there's a brilliant circling shot of Rowf on a hill howling at the moon. The whole movie is shot through with despair and dread; it feels like a prolonged howl of helplessness. The Plague Dogs, I think, actually has a smaller body count than Watership Down, but it establishes its bleak tone in the first moments and never lightens up; the closest thing to comic relief here is Tod, but he's no Kehaar he's not allowed to break the dark mood. This is a movie that shows you a cute little dog lying in its cell, motionless, quite dead; a custodian strolls by, says something like "Right, here's another one," and scoops the carcass up with a shovel. The sound of the shovel scraping the concrete floor is the final ugly touch of reality.

Perhaps moments like that were part of why the movie fell through the cracks. It's too grim for kids, and most adults will look at it, see that it's a cartoon with talking dogs, assume it's something like All Dogs Go to Heaven, and pass on it. (This movie is more like All Dogs Go Through Hell.) Unlike Watership Down, which can be marketed and enjoyed as family entertainment, The Plague Dogs is made of nastier, more upsetting stuff. Watership Down can be viewed at an interpretive distance ah, it's an allegory about society and the folly of systems built on force and hatred. The Plague Dogs is a little too uncomfortably real, because Richard Adams didn't put anything in his book that hadn't actually been perpetrated on lab animals, and it continues to this day. Maybe, too, the movie was punished for being too political: Show this to kids, and they might grow up to be activists.

Whatever the reason and though I love 'Watership Down' my sympathies lie with the underdogs, so to speak. The movie has a dark beauty, with an ending that's simultaneously depressing and transcendent, and the fact that 'The Plague Dogs' remains largely obscure is a crime.

link directly to this review at http://www.efilmcritic.com/review.php?movie=16207&reviewer=416
originally posted: 05/15/07 10:12:05
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User Comments

12/19/15 Haldrada This film is lodged deep in my heart. so good i nearly joined PETA 5 stars
2/28/15 tee powerful & heavy 5 stars
2/15/15 fijohn sjjs 1 stars
6/20/14 dr.lao Utterly cheerless, Adams himself admitted it was not his best work 3 stars
4/08/14 Michael Expertly paced and undeniably genuine. It's heartbreaking, life-affirming art. 5 stars
3/07/14 mike one of the best and saddest animated movie ever made 5 stars
1/23/14 John Hunt One movie I will never forget. 5 stars
10/20/13 Philippe Perhaps the most moving final 60 seconds I've seen on film. An extraordinary accomplishment 5 stars
8/06/13 Jake One of the most beautiful yet soul-crushing films ever made. A true animated masterpiece. 5 stars
5/13/13 Chris kelly a very moving and disturbing film if the measure of a great film is to move you then this t 5 stars
4/01/13 Daniel Hodgson A cartoon that made me cry, very moving and certainly doesn't pull any punches. 5 stars
3/11/13 Peter Skald Still crying..4 days on. Killer film 5 stars
4/25/12 William Amazing film. 5 stars
8/23/11 Tariq Painful to watch, yet an incredibly good film 5 stars
7/22/11 brian "Watership Down" this ain't. 30 yrs ago might've been different, but now seems trite. 2 stars
12/31/10 karamashi Soul crushing experience yet touching, riveting, and beautiful. 5 stars
10/24/10 Ryan saw this last year made me cry for atleast two days 5 stars
1/02/10 Kelsey A dark yet beautiful film I'll be sure to tell others to check it out 5 stars
1/18/09 Kayden I'm STILL baffled as to how this beauty hasn't recieved the attention it deserves. 5 stars
1/08/09 Shaun Wallner Well made. 5 stars
3/30/08 P. A harrowing and deeply involving piece of art. 5 stars
8/22/07 Tzaryn Simply, the most amazing animated film I have ever seen. 5 stars
IF YOU'VE SEEN THIS FILM, RATE IT!
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