More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 

Overall Rating

Worth A Look: 5.26%
Average: 10.53%
Pretty Bad: 36.84%
Total Crap: 5.26%

2 reviews, 7 user ratings

Latest Reviews

Astronaut (2019) by Jay Seaver

White Storm 2: Drug Lords, The by Jay Seaver

Vivarium by Jay Seaver

Art of Self-Defense, The by Jay Seaver

Crawl by Peter Sobczynski

Swallow by Jay Seaver

Perfection, The by Rob Gonsalves

Luce by Jay Seaver

Last Black Man in San Francisco, The by Jay Seaver

Farewell, The (2019) by Jay Seaver

subscribe to this feed

Midnight Meat Train, The
[] Buy posters from this movie
by brianorndorf

"Geeks want to burn Lionsgate for this???"
2 stars

Because a foundation formed in blood and guts does not form a respectable Hollywood legacy, Lionsgate decided to unceremoniously dump “The Midnight Meat Train” into a bare-bones release this past weekend, just so, conceivably, the studio can move on to classier, blockbustery affairs of extreme profit and Oscar gold.

Like clockwork, the dismissal of this Clive Barker-inspired romp sent the gorehounds into a tizzy. However, now that “Train” is available to the masses (well, to the major cities), I wonder why horror buffs would spend so much energy trying to protect a film that’s pretty much similar to every recent genre production?

A photographer looking for his big break, Leon (Bradley Cooper) snoops around New York City trying to capture its ugly, violent essence to impress a gallery owner (Brooke Shields). During his rounds, Leon spies a menacing man, Mahogany (Vinnie Jones), ending up in the subway system to satisfy his curiosity about the hulking, silent aggressor. What Leon observes is Mahogany’s brutal calling: stalking the late-hour passengers, viciously attacking them, and then tying up the remains like frozen sides of beef. Horrified, yet strangely drawn to the brutality, Leon finds his impulses under siege from an unknown, malevolent source, leaving his girlfriend Maya (Leslie Bibb) fearful to find what Leon is capable of.

We’ve all been here before: scarcely-lit, acid-washed cinematography; dreamlike storytelling; absurdly pitched performances; a lauded Asian filmmaker making his American debut; plenty of CG snap to the bloodletting; and a thinly-veiled commercial for the vegan movement. OK, so maybe the last example is a new twist in the horror genre, but the rest of “Train” suffers from a severe case of the been-theres/done-thats.

Much of the blame lies at the feet of director Ryuhei Kitamura (“Versus”), who perhaps doesn’t realize that most of his countrymen have already made the leap to the U.S. to make identical genre films for remake-happy executives. Granted, Kitamura is working off a Clive Barker template, but it's subpar Barker; a short story taken from the 1984 anthology “Books of Blood,” not a full-throated Barker brainstorm. The literary limitations confound the filmmaker at every turn.

The screenplay by Jeff Buhler endeavors to stretch out Leon’s nightmare by including new dimensions to his psychosis, turning Mahogany into a reoccurring figure of Silent Bob brutality, who acts as a doorman for unknown evils. It’s an interesting concept for a lurid potboiler, but Kitamura is lost trying to find a legitimate pull to this production. Most of the film remains in laughable states of melodrama and anemic genital metaphor, while the scares are goosed a little too severely by computer assistance. Honestly, why even bother with grotesque visuals when they look like they’ve been rendered by a MacBook? The lack of practical effects and make-up wizardry in “Train” is exhaustively disappointing.

Because “Train” was born of Barker, expect lots of open sores, spasms of madness, and a conclusion that slinks into complete fantasy. “The Midnight Meat Train” is perhaps more effective as a literary jab to the gut, not a feature-length piece of repetition. Believe me: if you’ve seen one uninspired monochromatic vision of Hell, you’ve seen them all.

link directly to this review at
originally posted: 08/03/08 13:38:58
[printer] printer-friendly format  
OFFICIAL SELECTION: 2008 Fantasia Film Festiva For more in the 2008 Fantasia Film Festival series, click here.

User Comments

6/05/12 Langano Laughable, couldn't wait for it to end. Check out Martyrs for a real scare. 2 stars
12/29/11 Justin Ahh, the good ole days before Bradley Cooper turned into a giant bag of douche. 5 stars
8/14/09 ES Lots of Lovercraft underpinnings but the CGI gore sucked and the ending was to slap-dashed 3 stars
4/02/09 Raul Valdez Jr like the book, a bit long, but satisfyingly PURE HORROR MOVIE 4 stars
3/08/09 blah blah pure class and a great ending 5 stars
10/10/08 Matt Like being hit over the head repeatedly with a hammer. ok but predictable and overstylized 3 stars
8/21/08 Jenny Tullwartz Every time you think it can't get worse, it does. Plus too much unexplained. 1 stars
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:

Discuss this movie in our forum

  01-Aug-2008 (R)
  DVD: 17-Feb-2009


  DVD: 17-Feb-2009

[trailer] Trailer

Directed by
  Ryuhei Kitamura

Written by
  Jeff Buhler

  Bradley Cooper
  Vinnie Jones
  Brooke Shields
  Leslie Bibb
  Tony Curran
  Roger Bart

Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast