More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Advertisement

Overall Rating
2.34

Awesome: 9.43%
Worth A Look: 3.77%
Average: 3.77%
Pretty Bad77.36%
Total Crap: 5.66%

6 reviews, 17 user ratings


Latest Reviews

MFA by Jay Seaver

You Only Live Once by Jay Seaver

November (2017) by Jay Seaver

Friendly Beast by Jay Seaver

Foreigner, The (2017) by Jay Seaver

Tom of Finland by Rob Gonsalves

Happy Death Day by Jay Seaver

78/52: Hitchcock's Shower Scene by Jay Seaver

Death Note: Light Up the New World by Jay Seaver

Brawl in Cell Block 99 by Peter Sobczynski

subscribe to this feed


Wolfman, The (2010)
[AllPosters.com] Buy posters from this movie
by Mel Valentin

"An unsurprisingly disappointing remake of a horror classic."
2 stars

A switch in directors from Mark Romanek to Joe Johnston only three weeks before the start of principal production, three release date changes precipitated by reshoots and new visual effects, a new editor (Walter Murch) to reedit the film, and a double switch in composers (from Danny Elfman to another composer and back again to Elfman), all but doomed "The Wolfman," the big-screen remake of the 1941 Universal classic. Call it, like the tragic central character, “cursed,” but all the tinkering and re-tinkering has done nothing to elevate "The Wolfman" above the grim, murky, muddled, inert, unsatisfying result Universal executives (probably) recognized when postponed the release date several times.

The remake sets the story fifty years to Victorian England (1891 to be exact), swapping out the originator of the title role, Lon Chaney, Jr. with Oscar-winner Benicio Del Toro. In the remake, Lawrence Talbot (a sadly miscast Del Toro), a well-known, well-respected Shakespearean actor estranged from his father, Sir John Talbot (Anthony Hopkins), an estrangement due, we later discover, to a traumatic event in Lawrence’s childhood that led to his institutionalization and impacted his decision to become an actor for the stage (where, presumably, he could subsume his emotional and mental issues into his acting), reluctantly returns to the ancestral estate when his brother’s fiancée, Gwen Conliffe (Emily Blunt), urgently summons him back with the news that his brother, Ben (Simon Merrells), has disappeared without a trace.

Lawrence arrives at the estate too late to save his brother. Searchers found Ben’s mangled, mauled body in a ravine, the apparent victim of a wild, ferocious animal. Lawrence ignores Sir John's warning to remain indoors during the next full moon and decides to visit a nearby gypsy encampment, hoping to uncover information about his brother's death. Armed villagers, blaming a dancing bear kept by gypsies for Ben's murder, as well as the murder of two other men under similar circumstances, arrive almost simultaneously. Before the villagers can act, however, a werewolf savagely attacks the encampment, indiscriminately slaughtering gypsies and villagers alike, and seriously wounding Lawrence.

The gypsies return an injured Lawrence back to the Talbot estate. Gwen, in London during the attack, returns to the Talbot estate help Lawrence recover. A near-miraculous recovery, however, leads the villagers, including the parish priest, Reverend Fisk (Roger Frost), to suspect Lawrence of lycanthropy. Only the senior Talbot’s timely intervention saves Lawrence, but once the full moon arrives, the villagers are proven right and Lawrence-as-the-Wolfman goes on a killing spree. A Scotland Yard detective, Francis Aberline (Hugo Weaving), arrives from London to investigate the murders. Aberline, loosely based on the Scotland Yard detective that investigated the Jack the Ripper murders, is a classic example of a rational man faced with the irrational. He doesn’t believe in the supernatural, only the natural world, but his encounter with a transformed Lawrence radically changes his worldview.

Andrew Kevin Walker (Sleepy Hollow, 8MM, Se7en) and David Self (Road to Perdition, Thirteen Days, The Haunting) screenplay follows the general contours of Curt Siodmak’s original script, but makes several alterations with narrative and thematic consequences: magnifying the romantic subplot to add pathos and, presumably, increase demographic appeal; elevating Aberline’s screentime to third lead; a switch in the werewolf/Wolfman; thanks to the reshoots and more production time, additional screen time for the Wolfman in the second half; and adds a climactic (if clichéd) fight between two wolf-men (the better to make Lawrence more a more heroic, less tragic figure). The Wolfman also gives audiences a sequel-ready ending, but that’s being overly optimistic on Universal’s part.

With Johnston (next summer's "Captain America: The First Avenger," "Jurassic Part III," "Honey, I Shrunk the Kids," "The Rocketeer") coming in only three weeks before principal photography, he obviously didn’t have time to revise the screenplay, but instead focused on post-production (and reshoots) to fill in gaps and, presumably, add suspense and tension where it was otherwise missing. At least that was the goal. What Johnston ultimately delivered with the help of editor Walter Murch, production designer Rick Heinrichs, cinematographer Shelly Johnson, makeup artist Rick Baker (who based the Wolfman’s design on Jack Pierce’s makeup for the original film) and composer Danny Elfman is a dark (as in underlit dark), dramatically inert romantic tragedy/horror film that sadly will please genre fans or casual moviegoers.

link directly to this review at http://www.efilmcritic.com/review.php?movie=17542&reviewer=402
originally posted: 02/13/10 05:51:54
[printer] printer-friendly format  

User Comments

9/16/17 morris campbell good effects but the originals better 3 stars
11/07/10 Will Russell How much gore can you squeeze in 90 minutes? A lot if you completely remove a good story. 2 stars
7/09/10 bronson TOTAL CRAP!!! 1 stars
6/15/10 Pantheon Loved every minutes. Honours the original while bringing up to date. 4 stars
3/15/10 LP Quagmire No chain-saws, no hockey masks, just a good old-fashioned horror movie! Solid performances 5 stars
3/01/10 Durwood OK until it got to the two werewolves fighting; then it got corny. 3 stars
2/25/10 DK I actually thought it was a fun enough monster homage. Crappy CGI bear though 4 stars
2/21/10 Lenore Francois Good special effects, but weak dialogue & Del Toro is a miscast in this role. 2 stars
2/18/10 Robert Cunningham I am a fan of the old Universal movies, so I love it. 5 stars
2/18/10 Heide I love Benicio Del Toro! 5 stars
2/18/10 Danny Goode great movie 5 stars
2/18/10 Ryan How can you say the cinematography was awful? I thought the film looked amazing! 5 stars
2/16/10 Jaye Too many boring moments and too many stupid actions by the characters. Disappointing 2 stars
2/16/10 Apollo I am aso upset -- this stunk so bad 1 stars
2/14/10 action movie fan style over substance good production and effects but little suspense and no real scares 2 stars
2/13/10 Samuel Isaacs What could/should have been a good film, Fail's miserably. 2 stars
2/13/10 PAUL SHORTT NOT SCARY ENOUGH TO BE EXCITING NOR CAMPY ENOUGH TO BE AMUSING 1 stars
IF YOU'VE SEEN THIS FILM, RATE IT!
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:


Discuss this movie in our forum

USA
  12-Feb-2010 (R)
  DVD: 01-Jun-2010

UK
  N/A

Australia
  12-Feb-2010
  DVD: 01-Jun-2010




Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
eFilmCritic.com: Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast