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Overall Rating
4.56

Awesome72.09%
Worth A Look: 13.95%
Average: 11.63%
Pretty Bad: 2.33%
Total Crap: 0%

3 reviews, 25 user ratings


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True Grit (2010)
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by brianorndorf

"Coen Brothers chew on the western"
5 stars

With “True Grit,” Joel and Ethan Coen bring to the screen their take on archetypal western storytelling, lassoing together a leathered tale of spur-jangly redemption and cold-blooded murder, effectively evoking an age of weathered men and stark violence. The picture is gorgeous, unexpectedly humorous, horrific, and delightfully saddle sore, mustering the precise amount of Coen-askew flourish to accurately place their fingerprints on a well-worn tale. In a most deflating film year of unspeakable mediocrity, “True Grit” is a welcome adrenaline shot of widescreen artistry and chewy personality, adding another trophy to the crowded mantle of these filmmaking masters.

Learning of her father’s murder at the hands of outlaw Tom Chaney (Josh Brolin), 14-year-old Mattie Ross (Hailee Steinfeld) has come to seek revenge. A sharp-witted, insistent teenager, Mattie offers payment to irascible Marshall Reuben “Rooster” Cogburn (Jeff Bridges) for his tracking services, hoping to hire a brute to catch a brute. A one-eyed alcoholic of debatable moral behavior, Rooster reluctantly takes the job, setting off with the young girl into dangerous Indian Territory on the hunt for Chaney. Also on the trail is La Boeuf (Matt Damon, supplying first rate supporting work), an arrogant Texas Ranger looking to bag Chaney for a massive reward, disturbing Mattie’s grand plans for righteous frontier justice.

“True Grit” is perhaps best known in the form of a 1969 western starring the inimitable John Wayne as Rooster, a performance that garnered him an Oscar, solidifying his status as a screen legend. Returning to the novel by Charles Portis, the Coen Brothers have ignored the remake itch, instead pulling the narrative and dialogue from a literary source, stripping the picture of Wayne’s imposing shadow. Not that the two features aren’t similar in many ways, but the clear-eyed studio appeal of the earlier picture has been overturned for the update, capturing the filmmakers’ taste in coarse occurrences, influenced by bitter characters in all manner of disrepair. The Coens have restored the grime back into the story, executing western formula with an evocative visual language of lawmen, criminals, and burgeoning social order.

Shot with defined attention to poise and threat by Roger Deakins, “True Grit” delivers the Old West with a special Coen curve. With hangings, pandemics, and special attention to unsettling vocal performances, the picture drips with the sort of mischief the directors have patented for themselves, gamely marrying genre formula to their taste for antiheroes and austerity, frequently sold with a dry sense of humor from a serpentine script. The reworked “True Grit” is a sublimely unsophisticated revenge picture rooted in stupefying dialogue exchanges, highlighting writing that heads back to Portis for inspiration, erecting a harmonious web of leathery western language that leads to intense debates and cunning confrontation, providing more of a screen jolt than any six-gun showdown (the use of contractions is as hangable an offense as murder ‘round these parts). The oater verbiage is spun into gold by the cast, who keep up brilliantly in the timing department, making the film the rare western that displays more confidence with dialogue than violence, keeping characters beautifully defined throughout.

The performances fill out the “True Grit” landscape memorably, attacking the story from all sides with every variation of bravado and vulnerability to accurately capture the developing relationships from polar opposites. Jeff Bridges is having the time of his life as Rooster, devolving into a soiled lump of a man who somehow manages to function as a feared sharpshooter with finely tuned prairie instincts. It’s a showy performance, but one of immense rotted charm, as Bridges communicates the hesitant soul of a man buried deep under personal neglect, finding purpose with his bossy employer and a direct challenge in Le Boeuf’s refined Texas swagger. Steinfeld is quite a find as Mattie, able to match her legendary co-stars with an enchanting sense of pubescent spitfire. The character’s no brat, developed well beyond her years as trauma’s invaded her life. Steinfeld is able to articulate the intelligence and the age in a single package of delightful moxie, providing a tightly braided sense of fresh opinion and sly demand in a story of stubborn, crunchy men navigating a cruel world.

Coenesque digressions into frontier madness and foiled displays of firearm skill bring unsettling texture to the piece, offering a sense of isolation, reinforced by the gentlemanly agreements shared by enemies -- men who would rather stick to peaceable western code than kill each other. The thick ambiance is wildly entertaining, accentuating the mystery and the personalities to blissful heights, constructing this known tale with idiosyncratic working parts that freshen tropes and restore suspense.

As with their finest films, the Coen Brothers achieve a precise sense of hard-bitten ramble in “True Grit,” delivering peculiarity with a cocked response, discovering a story that comfortably contorts to the demands of their imaginations. The directors show a masterful command of vernacular and fumbled acts of intimidation, refurbishing the Rooster Cogburn saga with an innovative creak, making “True Grit” a genre triumph and one of the year’s best films.

link directly to this review at http://www.efilmcritic.com/review.php?movie=20223&reviewer=404
originally posted: 12/26/10 08:29:46
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OFFICIAL SELECTION: 2011 Berlin International Film Festival For more in the 2011 Berlin International Film Festival series, click here.

User Comments

5/31/14 The king best of the modern westerns yet 5 stars
5/06/14 Jason One of the greatest remakes ever 5 stars
11/25/13 The rock Phenomenal acting and great storytelling 5 stars
10/02/13 josephine best modern western ever 5 stars
9/22/12 roscoe BRIDGES IS GREAT, THE GIRL IS GOOD, but no attention or use of the villain = no threat. 3 stars
8/27/12 David Pollastrini A great performance from Bridges 5 stars
8/16/11 Chris F A lot better than i expected overall worth seeing again 4 stars
6/22/11 Silkworm Flakey main characters that fail to deliver 3 stars
6/13/11 Shaun A I'm not usually into Westerns. This is impressive human drama. 5 stars
6/10/11 bill o really a fumbling feminist fantasy -- yes dreary dearly me 2 stars
4/19/11 mr.mike Comes close to an unneccesary sequel. Bridges and Brolin are nearly unintelligable. 3 stars
3/12/11 cvonsca great entertainment.One of the 2011 top five 4 stars
2/15/11 forest gump Bridges might do a better drunk impersonation but not a patch on the duke. Good overall 4 stars
2/14/11 millersxing a winsome western that packs a punch 5 stars
2/09/11 Sam decent, but nowhere close to what the Coens are capable of 3 stars
1/15/11 Ronald Holst A veryy good film worth a look 4 stars
1/05/11 Andy Good Western action film..Some dialogs are hard to understand 4 stars
1/02/11 Smitty A truly great film but sometimes hard to understand Bridges 5 stars
1/01/11 R.W. Welch First half has a certain peculiar charm to it. A- overall. 5 stars
1/01/11 RK The dialogs alone are worth a second viewing. 5 stars
1/01/11 Ming Not as good as the original ..But Still love the great performance 3 stars
1/01/11 PAUL SHORTT COMPELLING, SMART, SUPERIOR REMAKE WITH GOOD PERFORMANCES 5 stars
12/31/10 bob ruhs great!! 5 stars
12/30/10 damalc very good, but funny in places where it shouldn't have been 4 stars
12/25/10 thetachi This movie was a lot of fun. Two big thumbs up! 5 stars
IF YOU'VE SEEN THIS FILM, RATE IT!
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USA
  25-Dec-2010 (PG-13)
  DVD: 07-Jun-2011

UK
  N/A

Australia
  25-Dec-2010
  DVD: 07-Jun-2011


Directed by
  Ethan Coen
  Joel Coen

Written by
  Ethan Coen
  Joel Coen

Cast
  Jeff Bridges
  Matt Damon
  Josh Brolin
  Hailee Steinfeld
  Barry Pepper



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