More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Advertisement

Overall Rating
2.44

Awesome: 11.11%
Worth A Look: 0%
Average: 11.11%
Pretty Bad77.78%
Total Crap: 0%

1 review, 3 user ratings



American: The Bill Hicks Story
[AllPosters.com] Buy posters from this movie
by brianorndorf

"Dangerous man is fitted for a rainbow"
2 stars

I sat down with “American: The Bill Hicks Story” holding only a slight awareness of the comedian, who died of pancreatic cancer in 1994 at the age of 32. I never found the man funny, but retained a curiosity about the “bad boy” comedian who commands such reverence in stand-up comedy circles, anticipating an extraordinary education from this documentary. Unfortunately, “American” doesn’t impart much in the way of hard facts about Hicks, preferring an affectionate route of celebration, blindly fawning over this mystery man in a way that would likely make Hicks himself retch.

Directed by Paul Thomas and Matt Harlock, “American” is a BBC production that eschews a traditional documentary presentation. Playing into genre trends, the filmmakers collect images and footage of Hicks, manufacturing a cartoon narrative with the multimedia, forgoing talking heads to broadly animate faces and places as a way of creating life from static recollections and evidence. The effect is quite tiring to watch, while also requiring a monumental concentration on voice ownership, with friends and family speeding by in this patchwork quilt of a movie. The intention is to reconstruct the anticipation and flurry of Hicks’s career, jolting the frame with movement that brings the subject back to life. It’s a determined directorial rush, but creates a plastic representation of the man, losing his essential humanity.

“American” spans the Hicks experience, working from his early itch of comedy (with partner Dwight Slade) to the decline of his health, tracking the ups and downs of this complicated man as he reached for his performance dreams. The footage isn’t terribly revealing (little is shown of Hicks in a passive domesticated state), but Thomas and Harlock do communicate a purity of focus within Hicks as he struggled with chemical dependency, depression, and the development of his venomous act, working the Texas stand-up circuit with a fury that often rattled audiences and romanced his fellow comics. Hicks was intelligent and passionate about philosophical ideas, morphing from a content joke teller to a rabid stage prophet of sorts, sucking down cigarettes as he scolded his audience, berating paying customers for their apathetic attitudes toward the government and big media. Hicks crowned himself king of the world, with his act a series of lacerating diatribes on the state of humanity.

How Hicks shaped and defined his comedy is never explored in full. Instead, “American” rolls over and expects the viewer to scratch its belly, serving up extended performance clips and highly rehearsed memories from friends and family that fail to challenge an prickly man who treasured the thrill of confrontation. The filmmakers toss softballs left and right here, spending more energy worshipping Hicks and his stage work, and not enough on his passions and private thoughts. Granted, without the comedian’s participation, it’s difficult to manufacture true insight. However, “American” doesn’t make a substantial investigative effort, skipping incredible questions of behavior, contradictions, backstage temper, and career complications -- Denis Leary isn’t brought up once, despite playing a major role in why Hicks is remembered today.

“American” looks to cradle Bill Hicks, not confront him, which seems antithetical to his work as a comedian and overall hypersensitive performer. The man wanted his audience to defy authority and dispute so-called facts, urging the sleeping to wake up and question everything. The documentary on his life takes special care not to disturb golden memories, submitting a colorless bouquet of achievements, not the fascinating textures of an idiosyncratic life cut down in its prime.

link directly to this review at http://www.efilmcritic.com/review.php?movie=20275&reviewer=404
originally posted: 06/03/11 22:17:17
[printer] printer-friendly format  
OFFICIAL SELECTION: 2010 South By Southwest Film Festival For more in the 2010 South By Southwest Film Festival series, click here.
OFFICIAL SELECTION: 2010 Dallas International Film Festival For more in the 2010 Dallas International Film Festival series, click here.
OFFICIAL SELECTION: Independent Film Festival Boston 2010 For more in the Independent Film Festival Boston 2010 series, click here.
OFFICIAL SELECTION: 2010 Seattle International Film Festival For more in the 2010 Seattle International Film Festival series, click here.

User Comments

3/05/15 Charles Tatum Puts Hicks on a pedestal and worships him for ninety minutes 2 stars
10/25/11 Annie G Not really a story that deserved a film, but watch if you loved him. 3 stars
8/06/10 Luke Fantastic visuals created out of archive photos. Worthy, entertaining 5 stars
IF YOU'VE SEEN THIS FILM, RATE IT!
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:


Discuss this movie in our forum

USA
  08-Apr-2011
  DVD: 07-Jun-2011

UK
  N/A

Australia
  08-Apr-2011
  DVD: 07-Jun-2011


Directed by
  Matt Harlock
  Paul Thomas

Written by
  (documentary)

Cast
  Bill Hicks



Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
eFilmCritic.com: Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast