More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Advertisement

Overall Rating
2

Awesome: 0%
Worth A Look: 0%
Average: 0%
Pretty Bad100%
Total Crap: 0%

1 review, 0 user ratings


Latest Reviews

Fortress, The (2017) by Jay Seaver

MFA by Jay Seaver

You Only Live Once by Jay Seaver

November (2017) by Jay Seaver

Friendly Beast by Jay Seaver

Foreigner, The (2017) by Jay Seaver

Tom of Finland by Rob Gonsalves

Happy Death Day by Jay Seaver

78/52: Hitchcock's Shower Scene by Jay Seaver

Death Note: Light Up the New World by Jay Seaver

subscribe to this feed


Naciye
[AllPosters.com] Buy posters from this movie
by Rob Gonsalves

"Another dull calling card in the horror genre."
2 stars

You don’t truly appreciate a standard film technique used competently until you’ve seen it used ineptly.

Take flashbacks. Used well, they can change up or unify a movie’s tone as well as strengthening theme and character, and they do this without confusing the audience. And then you have a film like Lutfu Emre Cicek’s Naciye (soon to get a limited release after some festival activity last fall), which almost seems to be a lesson in how to use flashbacks to baffle the viewer and for no other purpose. This gory Turkish horror film, whose only lively bits are clumsily-realized murders, also pads itself out egregiously in the telling of a fairly simple tale: A woman, the eponymous Naciye (Derya Alabora), has been illegally living in a house for years, and when anyone threatens to dislodge her, she goes berserk.

Leaving aside the perhaps overly literal question of how Naciye’s squatting and killing have gone unnoticed by the cops for decades, we follow a young couple — a pregnant woman and her boyfriend — as they come to live in the home, which they don’t realize is occupied. This couple, and especially the woman, are obnoxiously miserable, so we don’t care very much whether they live or die. The suspicion arises that the script makes the woman pregnant so we’ll care about the fetus, at least. The woman walks around the house endlessly, noticing details that indicate someone else has lived there recently and may still live there. Meanwhile, Naciye lurks in the home, sometimes aided by a mysterious man, or is it two men?

The flashbacks, dumped into the narrative with no particular motivating incident, are supposed to clarify things but end up muddying them considerably. We see Naciye as a girl whose mom, I guess, cleaned the house for a man who, I guess, routinely raped her. This trauma led to Naciye staying in the home forever, and there are other familial twists. None of which have much relevance to the main narrative. About the only point of interest is the movie’s critique of its culture’s misogyny, a concern that links it to a far better Turkish film, the crude but harsh and elemental Yol. The pregnant woman’s boyfriend seems to try on sexist attitudes for size, maybe because he remembers his father or even grandfather saying the same things. The movie isn’t sexist: we see here, in a horror/thriller context, how hatred of women blooms out of fear of them. The men here have no power — the women carry life (literally) or death.

But that makes Naciye sound so much more interesting than it is. Slow and repetitive, with the flashbacks done in the same bland, unemphatic style as the contemporary scenes, the movie feeds a few people to Naciye to stab full of holes, then to bury (is this place so secluded that nobody notices corpses being rolled into graves in broad daylight?). The film runs only 78 minutes but feels twice as long, and seems to have just enough story for a film half as long. Lutfu Emre Cicek does have an eye; the widescreen compositions speak elegantly of isolation. But the story he’s telling with those images overstays its welcome and outlives our patience.

It’s yet another calling-card film like "It Follows," not born of the genuine fear and obsession that distinguish real horror, but out of a desire to make something “cool” inspired by one’s betters.

link directly to this review at http://www.efilmcritic.com/review.php?movie=30365&reviewer=416
originally posted: 03/22/16 04:29:20
[printer] printer-friendly format  

IF YOU'VE SEEN THIS FILM, RATE IT!
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:


Discuss this movie in our forum

USA
  11-Mar-2016 (NR)

UK
  N/A

Australia
  N/A


Directed by
  Lutfu Emre Cicek

Written by
  Lutfu Emre Cicek

Cast
  Derya Alabora
  Esin Harvey
  Gorkem Mertsoz
  Ilgin Cakir



Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
eFilmCritic.com: Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast