More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Advertisement

Overall Rating
5

Awesome100%
Worth A Look: 0%
Average: 0%
Pretty Bad: 0%
Total Crap: 0%

1 review, 0 user ratings


Latest Reviews

Prey (2017) by Jay Seaver

Lu Over the Wall by Jay Seaver

Three Billboards Outside Ebbing, Missouri by alejandroariera

Three Billboards Outside Ebbing, Missouri by Peter Sobczynski

Justice League by Peter Sobczynski

Mumon: The Land of Stealth by Jay Seaver

Geek Girls by Jay Seaver

Fashionista by Jay Seaver

I Love You, Daddy by Rob Gonsalves

Jailbreak by Jay Seaver

subscribe to this feed


Midsummer Night's Dream, A (2016)
[AllPosters.com] Buy posters from this movie
by Rob Gonsalves

"Griffin rises again."
5 stars

Sixteen years ago, the Rhode Island filmmaker Richard Griffin made his feature debut with an adaptation of Shakespeare’s "Titus Andronicus." Now he comes full circle with "A Midsummer Night’s Dream," which Griffin had wanted to make for years.

Artists as diverse as Peter Brook and Neil Gaiman have tackled this supernaturally-tinged romantic comedy, and Griffin, who usually leans dark whether he’s dealing with horror or comedy, lightens up and opens his palette. He and his frequent cinematographer Jill Poisson are like little kids with a big bucket of Crayolas; everything is bold, vividly colorful, magic seen at magic hour.

The play itself I have mixed feelings about. We needn’t go into them. What matters is what an adapter does with it, and Griffin makes high entertainment out of it. He isn’t in the least intimidated by Shakespeare, perhaps because he started out making one of the Bard’s less prestigious plays. (“I knew you when, buddy,” Griffin might be saying to Shakespeare; “I was there when you were hacking off hands and feeding people their own children.”) And he’s comfortable with the story’s otherworldly aspects; he builds an atmosphere where people — whether regular humans or faeries — can be theatrical, stylized. Nobody here goes small. Johnny Sederquist, for instance, creates a Puck in anarchy shirt and rave-club makeup, endlessly amused by what fools these mortals be.

There’s an element of cruelty in the premise, in which faeries use magic to turn hapless mortals into romantic puppets. The faeries, of course, are romantic love itself, the most simple and baffling of emotions, turning people into animals, or a literal donkey. Almost subliminally, in a matter-of-fact way, the openly gay Griffin turns Midsummer Night’s Dream into a queer-friendly, inclusive ode to l’amour fou. The play toys with gender to begin with; Griffin recasts “rude mechanical” Peter Quince as Rita Quince, who in the person of Christin Goff kept reminding me of Elizabeth Warren.

Griffin’s casts are always eager and robust — his joie de cinema rubs off on them — and the standout here is Ashley Harmon, whose Hermia is vulnerable, rageful, driven to frustrated dementia by her near-complete lack of agency. Harmon grounds Hermia’s suffering, and the play itself, in something real. Without Hermia you don’t have the darkness that the light of the play is designed to dispel; she might be the play’s backbone, its unsung hero. The rest of the cast bathes in Griffin’s and Poisson’s creamy Argento/Bava colors, having a grand old time and sharing it with us, but Harmon comes at things more sharply, speaking for the common woman (who isn’t so common).

A lot of foolishness unfolds under the dappled purple sky, a lot of poetry in the charged night air. Griffin sets the movie in “Athens, Massachusetts, 1754,” but the spirit feels modern, playful. (The occasional anachronistic gag is sprinkled into the mix, giving weight to the idea that the play’s concerns straddle the centuries.) As usual, Griffin manages to make a movie that looks — and also sounds, thanks to Daniel Hildreth’s lush score — as though it cost about a thousand times more than it did. As before, he brings the Bard to the screen with no fuss or pomp.

If you’ve heard me go on about Griffin before, but you were too bashful for his naughtier films and too squeamish for his gorier efforts, "A Midsummer Night’s Dream" is as fine an introduction as any to his raffish charms.

link directly to this review at http://www.efilmcritic.com/review.php?movie=30992&reviewer=416
originally posted: 11/09/16 09:30:59
[printer] printer-friendly format  

IF YOU'VE SEEN THIS FILM, RATE IT!
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:


Discuss this movie in our forum

USA
  13-Nov-2016 (NR)

UK
  N/A

Australia
  N/A




Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
eFilmCritic.com: Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast