More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
Advertisement

Overall Rating
3.78

Awesome50.72%
Worth A Look: 10.14%
Average: 21.74%
Pretty Bad: 1.45%
Total Crap: 15.94%

3 reviews, 51 user ratings


Latest Reviews

Kumiko, the Treasure Hunter by Jay Seaver

And So It Goes by Peter Sobczynski

Huntresses, The by Jay Seaver

Fatal Encounter, The by Jay Seaver

No Tears for the Dead by Jay Seaver

In Order of Disappearance by Jay Seaver

Cheatin' by Jay Seaver

White Bird in a Blizzard by Jay Seaver

Hwayi: A Monster Boy by Jay Seaver

Butter on the Latch by Jay Seaver

subscribe to this feed


West Side Story
[AllPosters.com] Buy posters from this movie
by David Cornelius

"The poetry of the movie musical."
5 stars

At first, all we hear is a lone whistle. Then the overture begins, with strange, abstract lines appearing on the screen. Ah, wait... those lines are a sketchy rendition of the skyscrapers of New York. The overture winds down, with only that whistle and the occasional drum beat guiding us as we fly over the city streets. Then we see them, a street gang, snapping in unison, and then - oh crap, are they dancing?!

I’ll be honest, the first time I saw “West Side Story,” I laughed. Street punks doing ballet? Are you kidding me? Sadly, I never bothered to look past that slight bend in reality, and I missed out on one of the finest movie musicals ever produced.

Thankfully, a growing fondness for the music and a curiosity to see what I had missed the first time around got me to see it again. And again, and again, and again. I quickly saw what my ill-informed laughter had blocked out originally: that “West Side” is more than all-singing, all-dancing thugs. It’s more than just another musical, with folks bursting into song for no reason.

It is, in fact, a ballet, not just of music and dance, but of cinema, if you’ll pardon the high-falootin’ talk. Just as choreographer/co-director Jerome Robbins takes the characters into a world of “hyper-reality” through their movements, their actions, and their songs, fellow director Robert Wise does the same with the lighting, the editing, the camerawork. It all comes together to create, for lack of a better word, a visual symphony.

Unlike most movie musicals, which simply take a stage show and reset it in a movie environment, “West Side” does something more. It uses the art of film to enhance the original work, creating something new, something alive. The filmmakers tinker with lighting gimmicks and editing tricks in order to meld abstract images; watch, for example, as Maria (Natalie Wood), elated as she prepares to go to her first dance, starts to spin. Her twirling body becomes a spectacle of color, which fades into the red silhouettes of teenage dancers, finally exploding back into the reality of the live action image.

Or watch as Tony (Richard Beymer), lost in love, begins to sing to himself. As he walks out of the dance, the background images melt away, turning from dance hall to city skyline. Visual stunts like this remind us that the characters don’t just live in their own world - they’re in their own universe.

So once you accept the “singing street gangs” not as reality, but as abstract representation (again, ballet), you’re ready to watch the film skepticism-free. The opening scene helps; in what ranks as one of the most impressive opening sequences in film history, we’re slowly introduced to the characters at hand through a slick, jazzy dance number. This near-wordless ten minute introduction lets us meet the Jets and the Sharks, and through action, dance, and music, we learn all we need to know about them. This sequence is as impressive for its dance (“West Side” features the most impressive, technically demanding on-screen dancing this side of Gene Kelly) as it is for its sneaky notion of exposition: through this one scene, we not only get a sense of the gangs, but we’re also put at ease with the film’s ideas. The opening serves as a transition from our real world to the film’s universe.

The plot that follows is deceptively simple. In the sweltering heat of a New York summer, as the Jets (the white boys gang) and the Sharks (the Puerto Rican gang) prepare to rumble, Maria and Tony fall in love. Tony is the former leader of the Jets, and Maria’s the sister of the Sharks’ leader, so naturally, their love meets a few obstacles. (Yes, it’s an update of “Romeo and Juliet,” but don’t look for exact parallels to Shakespeare’s plot; only a few scenes match the tragedy action for action.)

As for the love story, Tony and Maria’s story is as simple as it sounds. Even their characters’ songs rank as the least complicated numbers in the bunch, fairly routine ballads and bouncy fluff along the lines of “I Feel Pretty.” (Simple or not, their duet, “Somewhere,” packs quite the punch. The song appears when the two lock eyes while “playing” marraige, turns into a touching number later, and finally returns for the final scene. Other songs may be catchier, but this simple tune serves as the heart of the story.)

But floating around the “simple” Maria-Tony affair is the deeper-than-you’d-think subplot. “West Side” plays as a harsh examination of racism, juvenile crime, and the rude awakening that follows the American Dream. Take that last point first: the high-energy tune “America” debates the pros and cons of being an immigrant, slowly sliding into the point of bigotry. (“Things are alright in America / If you’re all white in America.”)

It’s the racism theme that’s most noticed about the musical, and both the songs and the script spread the blame. Everyone’s angry at somebody else, and the name calling and blind hatred seems to have spread through the neighborhood like a virus. Although the language is toned down for 1961 audiences, the film doesn’t water down the emotions themselves. (Oddly enough, “West Side,” which presents racism through song and dance, is far more effective than the Stanley Kramer beat-you-over-the-head Message Movies of the era.)

Often overlooked in examinations of the movie, however, is its spin on street life. While the Jets joke about their reasons for turning to crime in “Gee, Officer Krupke,” the truth isn’t that far off; when gruff-but-kindhearted Lt. Schrank (Simon Oakland) cracks about a Jet’s mom being a prostitute, or another’s father being a drunk, you can tell he is, sadly, right on the mark. These are kids whose lives are in tatters, with gang life being their lone source of pride. This is a place where, as shopkeeper Doc (Ned Glass) puts it, the kids “live like there’s a war on.”

While a few adults, such as Lt. Schrank, truly care about these youths, most of the grown-ups are as clueless and as square as the dance host (played with nerdish brilliance by John Astin). The kids are on their own in their self-made cruel world.

This isn’t the sort of thing you’d expect from a musical. But “West Side” is not content being typical. It even ends unlike a musical should, wrapping things up not with a big production number, but with cold hard silence; just as the opening sequence is among Hollywood’s best, so is the devastating finale, a scene that uses the lack of a traditional Big Finish to its advantage. These last few minutes alone present a perfect example of filmmaking as emotional manipulation, and I’d list this among the best endings around.

So sure, “West Side” is far from realistic. And yet, it’s as gripping as the most earth-bound tale. The filmmakers have taken dark themes - violence, murder, and attempted rape among those I didn’t have space to mention - and filtered them through the art of song, dance, and cinema. The result is a world unlike any other, a phenomenal filmmaking achievement worth seeing time and time again.

link directly to this review at http://www.efilmcritic.com/review.php?movie=5602&reviewer=392
originally posted: 02/10/05 07:37:22
[printer] printer-friendly format  

User Comments

2/28/14 sdeogc USA 4 stars
6/13/13 PAUL SHORTT OUTSTANDING, WELL MADE, VIVID MUSICAL, WITH GREAT NUMBERS 5 stars
2/15/12 M. West Side Story--The Classic that Never Grows Old! 5 stars
1/30/11 Linda J The is my favorite movie of all time 5 stars
8/17/10 M. I love it! 5 stars
6/01/10 User Name Shakespeare on the streets. 4 stars
5/17/09 M. The MGM adage "Unlike other classics, West Side Story grows younger" is so true! 5 stars
12/07/08 Merissa Conrow Thrilling, and a great Love Story 5 stars
6/22/08 M. West Side Story is my alltime favorite film, hands down. 5 stars
1/17/08 Ionicera if it had been only songs, it would have been a 5 4 stars
5/06/07 SYLVIA JOFFE WHO DID TJE SINGING FOR NATALIE WOOD? 5 stars
5/01/07 alfredo rubion ah....its so very nice i lke the musical play and its acy just like romeo and juliet upgrad 5 stars
1/29/07 Steph One of the GREATEST musicals ever made. Better than any movie I've ever seen. Classic. 5 stars
1/27/07 action movie fan dm is right great romeo and juliet based classic always moves me-the best of 1961 5 stars
5/19/06 Serenity Lyant The dancing waz Blah and the Plot was stupid it disgraced the Image of Shakespeare's R & J 1 stars
1/03/06 Daveman Despite its faults, the music, choreography and cinematography are second to none. 5 stars
5/26/05 Emily it's really dumb n cheesey 1 stars
3/04/05 Chris Stephens classic musical 4 stars
2/23/05 Joseph Venanzi skarks vs. jets better than red sox vs. yankees 5 stars
2/16/05 Miranda Lahr I feel pretty ohhh so prettttty! classic, thats all i have to say 5 stars
2/15/05 Carolyn Rathburn Another classic musical, very sad, very poagnant. 5 stars
2/12/05 J. Elaine Greenup Very boring 1 stars
11/14/04 Sally Lovely 5 stars
11/14/04 Amanda A True Classic! I Love this movie! Classic cast! 5 stars
10/03/04 Daveman The most well written (in terms of both music and dialogue), well directed musical ever. 5 stars
9/10/04 Rob Smythe Exceptional dancing, great music, you must accept the dance as symbolic, not gang behavior 5 stars
9/01/04 Jana Banana Pretty crappy really, boring, unrealistic stoy line. Overall piece of crap 1 stars
6/02/04 shaky shaky goddess well i thought it was ok.. well no i didn't ! it sucked@ i thought Gili was betterthanthat 1 stars
5/27/04 t i really disliked this musical..i thought it was quite ridiculous 1 stars
5/07/04 DM Kickass musical, anybody who doesn't like it can go fuck him/herself 5 stars
12/09/03 john this is a great musical and I don't even like musicals - great music! 5 stars
12/03/03 peter haynes cheesey music, wooden acting hard not to stop watching 1 stars
11/19/03 Stacy this move is the bomb, i love it 5 stars
11/14/03 I Would Grease gets a better rating from this site than West Side Story? Fuck off! 5 stars
10/13/03 Shadaan Felfeli Technically brilliant and thoroughly entertaining.It cater's to everyone. 5 stars
6/24/03 CHINA it wakes up your sences 5 stars
4/02/03 Samantha S. A great movie dispite its failure to show reality of "gangster" life. 4 stars
4/02/03 Howie it sux, a waste of time, needed newer songs 1 stars
3/29/03 NYTRANSIT417 EXTREMELY RETARDED MOVIE...2+HOURS OF TOTAL CRAP...AWFUL...VERY GAY 1 stars
3/13/03 mandi wonderful movie!!!!!! 5 stars
3/13/03 danielle debruyn i hate it 1 stars
1/14/03 Charles Tatum Long and a little dull 3 stars
7/08/02 nowannab@aol.com Timeless...charismatic, tragedy and triumph 5 stars
7/03/02 Frances this is fuckin awful shit, the guys are so gay, the music is crap and so is the singing. 1 stars
6/16/02 Rosa Muniz Very chesy should have gotten a real latin girl 3 stars
5/16/02 Butterbean A goofy flick that didn't practice what it preached when they cast Wood as a Puerto Rican 2 stars
4/21/02 R.W. Welch Very strong score and choreography; the two leads are less impressive. 4 stars
3/30/02 Allie Timeless Classic!! I Loved It!! 5 stars
3/25/02 Zachary I love this flick 5 stars
2/20/02 Xaver Some good choreography. Nice tunes. 4 stars
2/02/02 Andrew Carden It Was OK...I'am Waiting For The All-Jew Version: Upper East Side Story. 3 stars
IF YOU'VE SEEN THIS FILM, RATE IT!
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:


Discuss this movie in our forum

USA
  18-Oct-1961 (NR)
  DVD: 01-Apr-2003

UK
  N/A

Australia
  N/A




Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 
eFilmCritic.com: Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2014, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast