http://www.efilmcritic.com/review.php?movie=8610&reviewer=172

Dekada '70

Reviewed By Greg Muskewitz
Posted 02/04/04 03:43:08

"'The Brady Bunch' gone Filipino, and with political agendas."
4 stars (Worth A Look)

More like a TV mini-series (and we already have one by the same name as the English translation, “The Seventies”), we get a welcoming from the Philippines’ version of the Bradys, the “Bartolome Bunch.”

As expected, the beginning has a brief prologue with the country’s political climate before jetting off to deal with the Seventies in a year-by-year basis, mostly revolving around a rotation of drama between a married couple’s five growing boys, and their growing involvement in the country’s politics. (Down with imperialism, down with feudalism, up with communism, etc.) The momentum moves along smoothly from 1970 ‘til 1975, with the title-marked year at each transition helping to feel a sense of accomplishment in Cliffs Notes-ian breakdown. But, as much of the familial drama heats up (this son joins a militant group, that son writes communist propaganda, another son gets a girl pregnant, et al), circa ‘76-‘79, the pacing is botched and things are slowed down a great deal without a separation of time. During that period, though not to much surprise, the perspective is tendentious to the repressed mother, whom all of her children find to be the voice of reason and understanding, as much as their father tries to play it cool. It remains soap-operatic without any stretch of the imagination (well into the epilogue in 1983), though despite many of its faults, there is a certain educational value consistent throughout and applied systematically via the various functions each of the children entail. Lualhati Bautista adapts her own best-selling novel, and feminist agenda aside, the story and the movie would crack without the mother character, and the solidifying presence of Vilma Santos, whose only unfortunate requirement is to give voice to all of the repressed Filipinas at once. Directed by Chito S. Rońo; with Christopher De Leon, Piolo Pascual, Marvin Agustin, Carlos Agassi, Danilo Barrios, and John Wayne Sace.

[Worth-seeing.]

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