| NOW SHOWING |
| TITLE |
RATING |
| And Then We Danced |
rate me! |
| Big Time Adolescence |
rate me! |
| Birds of Prey |
rate me! |
| Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) |
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| Blood on Her Name |
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| Bloodshot |
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| Brahms: The Boy II |
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| Burden |
rate me! |
| Burnt Orange Heresy, The |
rate me! |
| Call of the Wild, The (2019) |
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| Color Out of Space |
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| Cordillera of Dreams, The |
rate me! |
| Corpus Christi |
rate me! |
| Downhill |
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| Emma (2020) |
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| Enter the Fat Dragon (2020) |
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| Fantasy Island |
rate me! |
| First Cow |
rate me! |
| First Lady |
rate me! |
| Goldie |
rate me! |
| Greed (2020) |
rate me! |
| Guns Akimbo |
rate me! |
| Hope Gap |
rate me! |
| Human Capital (2020) |
rate me! |
| Hunt, The (2019) |
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| I Still Believe |
rate me! |
| I Was at Home, But |
rate me! |
| Impractical Jokers: The Movie |
rate me! |
| Inside the Rain |
rate me! |
| Invisible Man, The (2020) |
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| Las Pildoras De Mi Novio (My Boyfriend's Meds) |
rate me! |
| Legend of Deification |
rate me! |
| Lodge, The |
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| Malang |
rate me! |
| Mulan (2020) |
rate me! |
| My Hero Academia: Heroes Rising |
rate me! |
| Never, Rarely, Sometimes, Always |
rate me! |
| Olympic Dreams |
rate me! |
| Once Were Brothers: Robbie Robertson and The Band |
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| Onward |
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| Ordinary Love |
rate me! |
| Photograph, The |
rate me! |
| Premature (2020) |
rate me! |
| Ride Your Wave |
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| Roads Not Taken, The |
rate me! |
| Run This Town |
rate me! |
| Saint Frances |
rate me! |
| Seberg |
rate me! |
| Sonic the Hedgehog |
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| Spy Intervention |
rate me! |
| Standing Up, Falling Down |
rate me! |
| Swallow |
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| Times of Bill Cunningham, The |
rate me! |
| Waiting for Anya |
rate me! |
| Way Back, The (2020) |
rate me! |
| Wendy |
rate me! |
| Whistlers, The |
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| WHISTLERS, THE |
"Police, adverseries."
Jay Seaver says... "For all that some rightly complain about filmmakers being pigeonholed, there are times when filmmakers seem to do it to themselves. Take "The Whistlers", which has a clever premise for a heist, a nice cast, and an intriguingly twisted network of surveillance and corruption - and a writer/director in Corneliu Porumboiu who seemingly can't be satisfied to just make an entertaining genre movie. He acknowledges their appeal, references them, and otherwise sets up bits of meta-commentary, but doesn't capture the actual excitement of such movies." (more)
|
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| FANTASTIC FUNGI |
"The fungi are at the very least fascinating."
Jay Seaver says... ""Fantastic Fungi" is put together so well that it may take some sort of interruption while watching it to notice that it has seemingly gone from "nifty science documentary" to "cult recruitment video" without causing whiplash. It's impressive editing, actually, when a film can make you sit up and wonder just how you got somewhere seemingly so far from where you started, and then look at it in whole and say, actually, that's not so big a trip after all." (more)
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| BLOODSHOT |
"A valiant, if familiar, effort."
Jay Seaver says... "Valiant Comics has, at points in its various incarnations, sometimes been the third-most popular shared universe in the medium, and that's a rough place to be - who needs to keep up with more of those after Marvel and DC, even when they do land some decent talent? But everyone wants a piece of what Marvel's got, so more of them are springing up despite the fact that will take years to build up the same sort of catalog, and Sony figures they might as well try making a couple films from one of the lesser-known lines, which has its fans and, who knows, may just be fun enough to connect when it's not being swamped with similar, more-established competition on a given week." (more)
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| EXTRA ORDINARY |
"When Irish Eyes Are Shrieking"
Peter Sobczynski says... "When I sat down in the screening room to watch “Extra Ordinary,” I must confess that I knew precious little about it other than the fact that it was from Ireland, it was a comedy having to do with the supernatural and that the only member of the cast who was instantly familiar to me was Will Forte. As a result, I cannot honestly say that I went into it with any expectations to speak off and I was thereby a little blindsided to discover just how good it really is. This is a cheerfully silly romp from start to finish that deftly combines broadly outrageous gags and situations and situations with quieter, but no less amusing, character-based comedy. Yes, I know that everyone is anticipating, either eagerly or warily, the new “Ghostbusters” movie but if there is a competition for the title of Best Horror-Themed Comedy of 2020, this film has already set a pretty high bar for that particular prize." (more)
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