| NOW SHOWING |
| TITLE |
RATING |
| Art of Racing in the Rain, The |
rate me! |
| 47 Meters Down: Uncaged |
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| After the Wedding (2019) |
rate me! |
| Angel Has Fallen |
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| Angry Birds Movie 2, The |
rate me! |
| Aquarela |
rate me! |
| Astronaut (2019) |
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| Before You Know It (2019) |
rate me! |
| Bennett's War |
rate me! |
| Blinded By the Light |
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| Blink of an Eye |
rate me! |
| Bodies at Rest |
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| Bravest, The |
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| Brian Banks |
rate me! |
| Brittany Runs A Marathon |
rate me! |
| Bunuel in the Labyrinth of the Turtles |
rate me! |
| Chained for Life |
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| Cold Case Hammarskjold |
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| Cracked Up |
rate me! |
| Depraved |
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| Divine Fury, The |
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| Don't Let Go |
rate me! |
| Dora and the Lost City of Gold |
rate me! |
| ECCO |
rate me! |
| Edie |
rate me! |
| Fanatic, The |
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| Fiddler: A Miracle of Miracles |
rate me! |
| Freaks (2019) |
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| Friedkin Uncut |
rate me! |
| Give Me Liberty |
rate me! |
| Goldfinch, The |
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| Good Boys |
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| Ground Beneath My Feet, The |
rate me! |
| Hobbs & Shaw |
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| Honeyland |
rate me! |
| Hustlers |
rate me! |
| It: Chapter 2 |
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| Jay Myself |
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| Killerman |
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| Kitchen, The (2019) |
rate me! |
| Leo Da Vinci: Mission Mona Lisa |
rate me! |
| Liam: As It Was |
rate me! |
| Linda Ronstadt: The Sound of My Voice |
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| Line Walker 2: Invisible Spy |
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| Low, Low |
rate me! |
| Luce |
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| Mike Wallace is Here |
rate me! |
| Monos |
rate me! |
| Moonlight Sonata: Deafness in Three Movements |
rate me! |
| Ms. Purple |
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| Ne Zha |
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| Nightingale, The |
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| Ode to Joy |
rate me! |
| Once Upon a Time ... in Hollywood |
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| One Child Nation (aka Born in China) |
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| Overcomer |
rate me! |
| Peanut Butter Falcon, The |
rate me! |
| Piranhas |
rate me! |
| Rapid Response |
rate me! |
| Ready or Not |
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| Saaho |
rate me! |
| Satanic Panic |
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| Scary Stories to Tell in the Dark |
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| See You Soon |
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| Sound of Silence |
rate me! |
| Tattoo Uprising |
rate me! |
| Tel Aviv on Fire |
rate me! |
| Them That Follow |
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| Tigers Are Not Afraid |
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| Tod@s Caen |
rate me! |
| Tokyo Ghoul "S" |
rate me! |
| Tone-Deaf |
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| Vita & Virginia |
rate me! |
| Where'd You Go, Bernadette |
rate me! |
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| DEPRAVED |
"Frankenstein & Fessenden make a great match."
Jay Seaver says... "SCREENED AT THE 2019 FANTASIA INTERNATIONAL FILM FESTIVAL: "Depraved" is "Larry Fessenden's "Frankenstein"" and he knows it, announcing his intentions from the start, when artsy colors and a do-it-yourself laboratory are punctuated by a bolt of lightning. That may not necessarily appeal to a large audience - as both producer and director of fright flicks, Fessenden has always leaned toward New York art-house stuff rather than buying blood by the barrel or Jason Blum's canny commercial instincts - but it makes even his take on one of the genre's foundational tales feel like something new." (more)
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| LINDA RONSTADT: THE SOUND OF MY VOICE |
"Feels Like Home"
Peter Sobczynski says... "Seen from a purely cinematic perspective, the new documentary “Linda Ronstadt: The Sound of My Voice” is not that big of a deal. It does not exactly reinvent the wheel from a formal perspective, it doesn’t offer any big reveals or especially profound insights and it oddly shies away from some elements to the story that practically cry out for further exploration. Now if a film about a musical performer that I personally did not have much interest in going into it had these flaws, I would right a review that would note the stumbling blocks and then mot likely wrap things up with a shrug and a mention that it is a film best enjoyed by those who are already fans of the subject at hand. And yet, while watching the film, I recognized all these problems but found myself ignoring virtually all of them because I was too busy relishing the opportunity to watch a big-screen celebration of an artist that I have been a passionate fan of since childhood. In other words, I adored practically every frame of the film but considering that I would cheerfully get behind virtually anything arguing for the greatness of Ronstadt, I might suggest that many of you may want to take this particular review with a few more grains of salt than usual." (more)
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| GOLDFINCH, THE |
"Extra-Ordinary People"
Peter Sobczynski says... "I suppose I should begin this piece with a point of order—actually a point of mild embarrassment for the longest time—that I need to get off of my chest. I have to confess that I never read Donna Tartt’s 2013 Pulitzer Prize-winning novel “The Goldfinch.” Now this admission in itself may not be that astounding—there are many books out there that I have not read and the fact that I didn’t crack this one before it made it to the big screen is not that extraordinary (I was not exactly brushing up on the “Twilight” books before sitting through those films.) The reason that I am making any note of this at all is the fact that I have been planning to read it for years now but something has always kept me from doing so. This is unusual because I loved Tartt’s 1994 best-selling debut “The Secret History”—one of those rare books that turned out to be both a cultural phenomenon and a startlingly well-written work—and when “The Goldfinch” was published, i downloaded it onto my iPad with the full intention of getting to it before too long. And yet, despite the rave reviews it received in some (though famously not all) quarters and the Pulitzer and the best-seller status, something about it just seemed so oppressive and ponderously literary that every time I tried to get into it, I found myself putting it aside in favor of something else, though always with the intention of getting back to it one day and completing the task at hand." (more)
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| FREAKS (2019) |
"Best seen cold (what movie isn't?), but still a nifty sci-fi thriller."
Jay Seaver says... "SCREENED AT THE 2019 FANTASIA INTERNATIONAL FILM FESTIVAL: As much as I do like previews even beyond the way that they give one a heads-up that certain movies even exist, there's a real delight to be found in going into certain movies cold. The one for "Freaks", for instance, probably needs to show as much as it does in order to draw its potential audience in, especially in an environment when similar-sounding but much larger things have huge studios behind them to suck up all of the oxygen in the room, but I'm glad I didn't see it until after I saw the movie. I kind of figured it eventually had to go a certain way, but it was thrilling to never be sure which way the movie would jump." (more)
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