More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 

Overall Rating

Awesome: 11.49%
Worth A Look: 18.39%
Pretty Bad: 20.69%
Total Crap: 9.2%

10 reviews, 27 user ratings

Latest Reviews

Pollinators, The by Jay Seaver

Cold Case Hammarskjold by Jay Seaver

Be Natural: The Untold Story of Alice Guy-Blache by Lybarger

One Child Nation (aka Born in China) by Jay Seaver

Kingdom (2019) by Jay Seaver

Chained for Life by Rob Gonsalves

Ready or Not by Peter Sobczynski

Nightingale, The by Jay Seaver

Line Walker 2: Invisible Spy by Jay Seaver

Death of Dick Long, The by Jay Seaver

subscribe to this feed

World Trade Center
[] Buy posters from this movie
by brianorndorf

"Frightening, powerful, and free of ego. Oliver Stone, welcome back."
5 stars

After the pummeling of “United 93,” Oliver Stone steps up to the plate with his own 9/11 motion picture. “World Trade Center” doesn’t feature a blistering sense of peril, but replaces fear with hope, and becomes the best movie Stone has made in years. It’s a real heartbreaking gem.

Called in to the World Trade Center to help evacuate survivors after the first plane hit the towers on September 11th, Port Authority cop Will Jimeno (Michael Pena, “Crash”) and Sergeant John McLoughlin (Nicolas Cage) marched into the buildings frightened at what they would find. When the towers collapsed, the two cops were trapped under 20 feet of steel and concrete, left alone to fight for their lives. Back home, their wives (Maria Bello and Maggie Gyllenhaal) struggled to maintain calm when faced with mounting questions and fears over the whereabouts of their beloved husbands.

Last spring’s brilliant “United 93” was a stomach-churning, unflinching look at September 11th though a chronicle of tragedy and murder. It was devastating and unforgettable filmmaking. Oliver Stone uses an alternative path with “World Trade Center,” dramatizing a singular event in the middle of all the destruction and pain to help remind the world that there was still hope at large, even in the eye of the hurricane.

Handed a much heftier budget than “United 93,” Stone’s “Center” eschews cinema verite for a more traditional storytelling approach. This is Stone’s most direct and cleanest cut film since 1989’s “Born on the Fourth of July,” in addition to being his best. The button-pushing filmmaker shows noteworthy restraint all over this film, which some might chalk up to a declawing after his head-slapping disaster “Alexander,” but I choose to see it as a return to classical form for Stone. He once made films about the human experience before peyote and cynicism rocketed him away to la-la land. “Center” illustrates that Stone still cares about people and remains fascinated with the thunderstorms of doubt that swirl around inside them when stared down by tragedy.

“Center” is primarily a story of hope and survival, but to set the threatening mood, Stone recreates the ash-laced panic and blaring uncertainty of the New York streets as the officers inch closer to the burning towers. Much like “United 93,” it’s not easy to watch the tragedy unfold on the big screen. Stone forces the audience in all the way into the buildings with frightening detail and as chunks of concrete rain from the sky like bullets, Stone augments the dread and menace of the smoldering towers by including the deafening groan of the twisting and collapsing metal, emitted from the towers like a roar from the devil’s throat. It’s a hellish sequence that paints a harrowing picture of disorder and dread in ways news coverage could never do.

Once the cops are trapped in their concrete prison, “Center” softens and leaves behind the bigger picture of terrorism and mass death, and narrows down to an intimate story of two men assuming demise, but praying for rescue. Superbly played with wrenching exhaustion and delirium by Pena and Cage, the death’s door camaraderie between the actors is topped off with Hollywood-screenwriting heart tugging, yet the performances are authentic in their exasperation and highly-trained alertness. Stone fashions a claustrophobic nest of WTC debris to shoot around, and sustains a feeling of threat throughout the whole nightmare that the brittle surroundings will collapse on these men at any moment.

When “Center” turns itself over to the wives’ story, Stone compounds the horror of the situation further as these women fight to hold themselves together in the face of loss and to prevent their families from ungluing. Stone has Bello and Gyllenhaal keep their moments of panic to a dull roar, expressing themselves through silent despair until the burden of waiting for proof of life becomes too much to contain.

Ultimately “Center” transforms into a celebration of compassion and teamwork. As the hours tick by, Stone includes sequences of rescue officials (from all over the country) and marines looking to chip in and help wherever they can. The story of Dave Karnes is featured as the marine who marched into the hazardous rubble on his own and was the first to locate Jimeno and McLoughlin. His tale of selfless honor is what “Center” truly is about. This is not an expose on the mechanics of the attack (what “United 93” at times was trying to recreate); this is about individuals that were forever altered by the madness, and the considerable efforts of those who risked their own lives to make sure more didn’t perish in those senseless attacks. In a sense, it is blatant, clichéd hero worship, but Stone earns this impassioned interpretation through his care and respect behind the camera for the characters and the gravity of the situation.

“World Trade Center” does have moments of unbearable horror for more sensitive viewers, but there is a dominant mood of optimism in the middle of all the debris that is more than worth the time invested in this perfectly executed historical drama.

link directly to this review at
originally posted: 08/09/06 14:29:07
[printer] printer-friendly format  

User Comments

1/18/10 babette 911 was an inside job. 1 stars
9/09/07 mr.mike had no problem with it 4 stars
6/10/07 Danielle Ophelia Oliver Stone discovers Norman Rockwell noir, and it ain't pretty. 2 stars
12/22/06 John Z Good show, even though you kinda know the ending. 4 stars
12/15/06 action movie fan decent 9/11 story-at least stone didn,t rewrite history here 3 stars
12/14/06 The Deadly Assassin not bad, but can't compare with United 93 4 stars
12/11/06 Wendy Straw Awesome!!! 5 stars
11/25/06 MP Bartley Utterly forgettable, trite, limp and sentimental. 2 stars
10/15/06 William Goss Admirable as a reenactment, but this feel-good take grows increasingly arbitrary in 2nd hr. 3 stars
10/11/06 paula a slap in the face to the deceased of 9/11 1 stars
9/26/06 Anthony Feor Why must Oliver Stone ruin history? 2 stars
9/04/06 Sir Spam-a-lot Arrrgh, stop profiting on tragedy :-P (I saw it for free, BTW so no profit for me) 2 stars
8/24/06 Mohobbit This film reminds us of the hero's of that day,the cops and firefighters. Good work Oliver 5 stars
8/22/06 Brian C Much better than I ever would have guessed 5 stars
8/18/06 KAREN MATLOCK unexpectedly good 4 stars
8/18/06 Tiffany good 4 stars
8/17/06 Pn. Love ya Ollie, but, well, "United 93" was awesome... 4 stars
8/17/06 kristin it was very poorly directed and put together. at times it was even funny and quite random. 2 stars
8/16/06 seenit See it - not the usual hollywood hype would have been better w/ unknowns 4 stars
8/16/06 Sue D Great - a MUST see for everyone! 5 stars
8/15/06 Mike V A bit too much of a "TV movie of the week" feel 3 stars
8/14/06 y wasting money 2 stars
8/14/06 ES Heart tugging 4 stars
8/12/06 Mark So-so 3 stars
8/11/06 yo momma cinematic masturbation for the republican set 3 stars
8/10/06 Elisa Giro Very good. 4 stars
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:

Discuss this movie in our forum

  09-Aug-2006 (PG-13)
  DVD: 12-Dec-2006



Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast