More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 

Overall Rating

Awesome: 13.79%
Worth A Look: 10.34%
Pretty Bad: 3.45%
Total Crap: 31.03%

3 reviews, 11 user ratings

Latest Reviews

Black Christmas (2019) by Peter Sobczynski

Richard Jewell by Peter Sobczynski

Dachra by Jay Seaver

Little Joe (2019) by Jay Seaver

Knives and Skin by Jay Seaver

Rabid (2019) by Rob Gonsalves

Irishman, The by Rob Gonsalves

Recorder: The Marion Stokes Project by Rob Gonsalves

Kitchen, The (2019) by Rob Gonsalves

Whistleblower, The (2019) by Jay Seaver

subscribe to this feed

[] Buy posters from this movie
by brianorndorf

"Like the Orndorf Family home movies, but with a horse"
1 stars

“Flicka” is the iconic story of a teenager and his horse, but now the he is a she, and the horse has been pushed to cameo status. This dreary, endlessly annoying melodrama comes in the guise of a family film matinee alternative, but who wants to pay to see people grow to loathe each other over a horse?

Katy McLaughlin (Allison Lohman, “Matchstick Men”) is a teenage girl coming off a horrible year at her private school. Returning to her Wyoming mountaintop ranch home for the summer, Katy looks forward to interacting with her beloved horses, but her stubborn father (Tim McGraw) is hoping to enforce some discipline on his daydreaming daughter. One afternoon, Katy comes across a wild Mustang she names Flicka. Much to the annoyance of her father, Katy finds her soulmate in this undomesticated creature, leading to trouble when both refuse to be tamed by outside forces.

Mary O’Hara’s original 1941 novel was titled “My Friend Flicka.” This latest Hollywood adaptation has been harshly shortened to just “Flicka.” Why? Because there’s nothing friendly about this joyless and repellently melodramatic family film.

“Flicka” has endured an almost “Lassie” style of existence, finding life in the literary, cinematic, and television mediums. It’s a tale that appeals to the primal urges of young people; that ability to find solace with a creature that understands and trusts only them. The franchise has lasted throughout the decades because it understood how to pitch its tale of love directly at the right audience.

The new “Flicka” reimagining doesn’t scrap O’Hara’s story (besides switching the sex of the lead role), but it does manage to suck the life right out of it. This is a curiously negative film, with every single character in some state of anger or denial, which casts a suffocating black cloud over the whole motion picture. This is a picture about horses for heaven’s sake, but the screenwriters find themselves going back to familial angst every chance they get, finding it far more rewarding to watch a group of people constantly fight than to assemble a proper relationship between Flicka and Katy. In fact, the title character merely cameos throughout the first two acts of the film. Now what sense does that make?

Casting is a big thorn in this movie’s side. Odd is the very appearance of Lohman, who is a full decade older in real life than her character, and it shows. The actress works overtime to convey the feistiness of teendom, but instead overshoots her goal and gets lost somewhere under her too on-the-nose “Sheena” mane of hair. Worse is country singer Tim McGraw, held hostage in a Billy Bob Thornton fake bake and small-town-bangs toupee, unable to make his parental figure anything more than the complete wet blanket director Michael Mayer prefers him to be. “Flicka” paints its characters black and white to better pander to the mass audience, but McGraw is one step away from eating babies the way Mayer depicts him.

“My Friend Flicka” has lasted a long time in American culture, and continues to charm readers of any age. It will survive this misguided adaptation, which I hope will send a message to future productions: keep the blues to minimum, and put the focus back on the horse. Nobody is paying the see a family bitch at each other for 100 minutes.

link directly to this review at
originally posted: 10/21/06 15:09:46
[printer] printer-friendly format  
OFFICIAL SELECTION: 2006 Austin Film Festival For more in the 2006 Austin Film Festival series, click here.

User Comments

7/22/07 AP Bratty kids, clueless mom, weak dad. No way I'd let the kids watch this!! 1 stars
5/01/07 Aaron Johnson i liked this film, i thought the story was great 5 stars
2/12/07 Emma W. It's a wonderful family movie! If you just pay attention you'll LOVE it! 5 stars
12/12/06 William Goss Starts alright, but grows hokey halfway. "It's okay, Daddy. You can shoot us." Teehee. 2 stars
11/25/06 liv this film looks pretty good ihav 2 horses of my own n their adorable.... 5 stars
11/03/06 Heather Yawn, what a bore. 1 stars
10/28/06 Centipedes anyone who likes this movie is either a pre-teen or mentally retarded 1 stars
10/24/06 michael good story 2 see 4 stars
10/23/06 Sydney This is how i dreamed my life 5 stars
10/22/06 Riki Worth it for the landscape, not for the substance 4 stars
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:

Discuss this movie in our forum

  20-Oct-2006 (PG)
  DVD: 06-Feb-2007



[trailer] Trailer

Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast