More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 

Overall Rating

Awesome: 21.62%
Worth A Look: 21.62%
Average: 21.62%
Pretty Bad35.14%
Total Crap: 0%

5 reviews, 7 user ratings

Latest Reviews

To the Ends of the Earth by Jay Seaver

Wood Job! by Jay Seaver

News of the World by Rob Gonsalves

Promising Young Woman by Rob Gonsalves

Wonder Woman 1984 by Rob Gonsalves

Godfather, Coda: The Death of Michael Corleone by Rob Gonsalves

Mank by Rob Gonsalves

Wander Darkly by Rob Gonsalves

Stand In, The by Rob Gonsalves

MLK/FBI by alejandroariera

subscribe to this feed

Charlie Bartlett
[] Buy posters from this movie
by Lybarger

"The first two acts are the prescription for what’s wrong in the third."
4 stars

The strange irony of ‘Charlie Bartlett’ is that the film is at its best when the title character is at his most misguided. Screenwriter Gustin Nash has created a fresh and engaging story that loses its buzz once it tries to give its protagonist a moral center.

Charlie (Anton Yelchin) is an amiable teen whose ability to win friends is directly tied to his habit of breaking the law. He winds up expelled from a private school because he’s developed the unfortunate hobby of printing fake driver’s licenses.

Most parents would probably punish their offspring for a stunt like that, but Charlie’s affluent mother (Hope Davis) thinks the lad should be rewarded for the skill of his forgeries and that taking a nine-year-old to a wine tasting is normal.

When Charlie is forced into a public school, he takes poorly to having to deal with the bullies and other issues. His inept psychiatrist (David Fraser) prescribes Ritalin, which turns the eccentric lad into a manic jackrabbit.

Realizing he doesn’t need the meds, Charlie teams up with the thug (Tyler Hilton) who has tormented him and starts selling his drugs to their classmates. Charlie even starts going to his doctors and imitating his peers’ symptoms to obtain the additional drugs the others need.

Needless to say, Charlie sympathetic ear and access to illicit chemicals make him popular with the other students and the bane of the school’s ineffectual and alcoholic of Principal Norton (who else but Robert Downey, Jr.?). Charlie makes his own position even riskier by dating Norton’s daughter (Kat Dennings).

It’s no wonder the bright, well-meaning lad is on his way to more trouble. Much of the charm of the early portions of the film comes from the fact that Charlie’s misdeeds are rarely malicious, and Yelchin projects a wily intelligence that belies the wrongheadedness of some of his mistakes. He’s guaranteed to cause a ruckus, but what sort of mischief he’ll create is delightfully unpredictable.

During the early portions of the film, screenwriter Gustin Nash manages to make the most squirm-inducing ideas not only palatable, but achingly funny. There’s a strange innocence that he and first-time director Jon Poll approach the story that makes Charlie’s drug peddling success seem almost natural without condoning it. The viewers can figure out for themselves that Charlie’s playing with fire, but his eagerness to help almost makes you think he has a future listening to people on couches.

As the story progresses, Poll and Nash give the story a conscience and wind up diluting what makes the tale such a guilty pleasure. The pat conclusion seems out of character with the rest of the film. Watching teens bouncing up and down on Ritalin tells viewers that Charlie’s situation isn’t sustainable.

Despite the letdown, Poll and Nash make some really intriguing choices that help the film. For one thing, the actors playing teens are actually within throwing distance of puberty. It’s irritating to watch teen dramas or comedies where the thespians appear well past the age of needing fake IDs.

Yelchin, who gave a memorable performance when he was a child in “Hearts in Atlantis,” has matured into a first-rate comic actor with a remarkable range and a sense of fearlessness. He embraces his character’s quirks without going overboard.

“Charlie Bartlett” does fall shy of greatness, but the filmmakers deserve a little credit for trying to reach it.

link directly to this review at
originally posted: 02/24/08 07:39:28
[printer] printer-friendly format  

User Comments

1/09/09 Anonymous. i wish i had someone like charlie bartlett in my life... 4 stars
12/06/08 Lee cheerful, fun, light comedy 5 stars
10/07/08 Charles Tatum Alternately compelling and irritating, but Downey's great 3 stars
4/25/08 Heather Purplethorne Another leave-you-hanging ending. Harrowingly melodramatic film before that. 2 stars
3/09/08 Bubba O'Reilly Ferris Bueller goes to school.... on Valium 3 stars
3/03/08 Nicholas Plowman Good review, I loved this film. It opened in South Africa awhile ago, I cant stop seeing it 4 stars
7/30/07 Morghan Phoenix Watched it at the pre-release showing and would definatly say this is worth the money. 5 stars
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:

Discuss this movie in our forum

  22-Feb-2008 (R)
  DVD: 24-Jun-2008



Directed by
  Jon Poll

Written by
  Gustin Nash

  Anton Yelchin
  Robert Downey Jr.
  Hope Davis
  Tyler Hilton
  Jake Epstein
  Lauren Collins

Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast