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Meet Monica Velour
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by brianorndorf

"The Ginger Lynn story with a side of Jon Heder"
2 stars

Blessed with a promising concept for a dark comedy, “Meet Monica Velour” would rather tug at heartstrings or script repetitive behavior from derivative characters. It’s a wasteful effort, yet a few highlights manage to distract, namely Kim Cattrall in a bravely unglamorous performance, putting in an impressive effort to embody a once omnipresent porn queen facing the unrelenting trials of life after youth.

17 years of age and infatuated with ‘70’s adult film star Monica Velour (Kim Cattrall), Tobe (Dustin Ingram) is a snobby, dorky kid unable to grow up and take responsibility for his life. Gifted a hot dog vending truck for his high school graduation, Tobe hopes to sell the small business, contacting Claude (Keith David), a pop artist looking for the ultimate prize of Americana. Also triggering Tobe’s interest is a personal appearance by Velour at an Indiana strip club. Finally able to meet his masturbatory idol, Tobe instead finds a disheveled alcoholic facing child custody woes and cash-flow problems. Undeterred by these setbacks, Tobe commences his plan to cozy up to the aging sex star.

The concept of revisiting an object of lust long after youthful bloom wilts is an intriguing idea for a movie. When it comes to the experiences of matured porn stars stumbling back into anonymity, I’m sure there are a million stories of woe and uncomfortable recognition to play with. Writer/director Keith Bearden selects the most formulaic of scripted ideas, making “Meet Monica Velour” less about the peculiarities of the titular fading fantasy and more about Tobe’s pedestrian coming-of-age journey. An enormous amount of potential goes untapped in the film.

Tobe is a semi-creepy kid, scripted by Bearden as a loner lost in his elitist film and music tastes. He doesn’t know much about life beyond his interests and hot dogs, with the Velour visit permitting the sheltered kid an opportunity to sample life’s great riches, soon touring dingy strip clubs and trailer parks. Bearden and Ingram make a major miscalculation with Tobe by turning the boy into a Napoleon Dynamite-ish figure, with a slack-jawed, affected outward appearance that comes across gimmicky, sapping whatever human appeal there was in the character’s initial moments. Tobe’s a tedious cartoon, going against Bearden’s ultimate goal of poignancy and personal triumph.

Better is Cattrall as Velour, doing a commendable job peeling away vanity to play a weathered woman finding herself drawn back into porn to scrape together a few bucks. The comedy elements of the character are tepid, but pathos is intact, shaping a knowing icon who’s literally seen it all, standing in front of a giddy boy who’s barely stepped foot outside his room. The interplay is static, but Cattrall is fearless in her transformation, permitting herself to be shot so unflatteringly, finding smeared beauty in the wreckage of this life. Helping her achieve the grinded look is cinematographer Masanobu Takayanagi, who fills the feature with striking images of rural life and tattered glory.

David adds some third act spark as a lonely artist interested in Tobe’s adolescent complications, and his easy charms go a long way to make “Meet Monica Velour” at least appear heartfelt. The chirpy ending is a letdown (not to mention unlikely), but it’s not a far fall, with much of the movie dedicated to mishandled mood and unwelcome acts of shining optimism, crudely stapled to a perfectly twisted plot.

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originally posted: 08/08/11 03:10:30
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OFFICIAL SELECTION: 2010 Tribeca Film Festival For more in the 2010 Tribeca Film Festival series, click here.
OFFICIAL SELECTION: 2010 Seattle International Film Festival For more in the 2010 Seattle International Film Festival series, click here.

User Comments

5/02/10 elena amazing, best film ever!! 5 stars
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  08-Apr-2011 (R)
  DVD: 16-Aug-2011


  DVD: 16-Aug-2011

Directed by
  Keith Bearden

Written by
  Keith Bearden

  Kim Cattrall
  Dustin Ingram
  Brian Dennehy
  Keith David
  Jee Young Han
  Daniel Yelsky

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