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Overall Rating

Worth A Look: 11.11%
Average: 2.78%
Pretty Bad: 5.56%
Total Crap: 2.78%

2 reviews, 24 user ratings

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Reflecting Skin, The
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by Rob Gonsalves

"One of a kind."
5 stars

I have been waiting for years to talk at length about "The Reflecting Skin," one of my favorite movies few people have seen. Since it’s making its American Blu-ray debut in a couple of weeks (along with a new DVD), the time seems ripe.

This is the feature directing debut of Philip Ridley, only 24 when he made it, and it unfolds in a distinct dream-logic world. The setting is the American midwest circa the 1950s (post-WWII, anyway), but the film exists aside from time and place. Roger Ebert’s much-quoted, accurate assessment goes like so: “It’s not really about America at all, it’s about nightmares, and I’m not easily going to forget it.”

Seth Dove (Jeremy Cooper), “nearly nine,” is a borderline monstrous little boy, though with a sensitivity that indicates redemption is possible (though perhaps not probable). We meet him when he and two of his friends are committing a particularly grotesque form of cruelty to animals, a detail that seems partly indebted to the kids burning a scorpion alive in The Wild Bunch and partly to Ridley fighting a fever and falling asleep, bathed in sick-sweat, in front of a TV playing The Fool Killer or Night of the Hunter while a paperback of Faulkner rests tented over his chest. The movie is suffused with a febrile, half-articulated aesthetic of American gothic — vampires and dead babies and maimed sheriffs and grinning hairless werewolves in a Cadillac.

A mysterious woman (Lindsay Duncan) who calls herself Dolphin Blue lives nearby, and Seth becomes convinced that she’s a bloodsucker and that his older brother Cameron (Viggo Mortensen), just returned from a stint in the Army, is about to be seduced and drained by her. Meanwhile, Seth’s gruesome and unhappy mother (Sheila Moore) resents her life with his father (Duncan Fraser), who reeks of the gasoline he pumps out in front of the house. All the adults have secrets, perhaps none more so than Cameron, who has seen what atomic bombs do — he has a photo in his wallet of a Japanese baby whose skin “got all silver and shiny. Just like a mirror. You could see your face in it.” This image is preceded by Seth’s ghastly discovery in a hayloft, a discovery he takes to be the angel of his friend Eben. Eben was kidnapped and murdered, most likely by the strange, suspiciously amiable hoodlums in the Cadillac. People keep disappearing, not just kids.

The Reflecting Skin will enrapture those attuned to its wheatfield surrealism and repel, violently, everyone else. Upon its release almost thirty years ago it attracted unavoidable comparisons to David Lynch, but these days it seems sui generis. Ridley, sadly, hasn’t done much in films since (though he has kept his hand in creatively with books, paintings and plays). 1995’s The Passion of Darkly Noon (with one of Brendan Fraser’s finest unseen performances) and 2009’s Heartless are about it for those who want to see more Ridley cinema. But at least he batted three for three (though Heartless, while fine, is the weak link of the three). For some, the early lead performance by Viggo Mortensen (who also shows up in Darkly Noon) will be a draw; the then-31-year-old weighs in with a cloaked, edgy turn later elaborated on in Sean Penn’s essential The Indian Runner.

Mortensen fits right into the curdled nostalgia of the piece. Truly, though, the film is held together by young Jeremy Cooper. I think he’s the reason we don’t hate Seth after his first scene. Seth is in pain, and as we see more and more of his grim home life we can understand why, even if he doesn’t. The movie’s title, as I said, is given a literal explication, but it’s also a metaphor for how, when we look at others, we just see weird reflections of ourselves, or of our expectations or prejudices. So people are vampires or perverts, or they go around calling themselves sinners, or they just go around killing children — either in a Cadillac or in a United States military aircraft. A lot of The Reflecting Skin has to do with toxic masculinity — though that wasn’t a concept back in 1990 and definitely not at the time of the film’s setting.

Almost every scene is creepy or morbid or painful or all three. The people, out there in the beauty of the unnamed pastoral country, are damned from birth. The whispering landscape crawls with demons, and the angels are fishy-smelling, maggoty corpses. The vision of hell is forceful and complete.

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originally posted: 07/27/19 06:05:39
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OFFICIAL SELECTION: 2015 Fantasia International Film Festival For more in the 2015 Fantasia International Film Festival series, click here.

User Comments

5/05/14 Langano Laughable. 2 stars
11/28/10 Movie Dude Pretentious, clumsy direction, despite otherwise brilliant execution. Provocatively shot. 2 stars
2/02/09 brian David Lynch moves Twin Peaks to the wheat fields of Idaho and views thru a kid's eyes. 5 stars
9/22/08 Giovanni great! mix between rural life and imagination of wet 3 stars
5/15/08 slavano love it 5 stars
9/17/05 bowiema007 strange 5 stars
3/21/04 Steve-w Can't describe my amazement from this film And yes, anti-depressants are recommend. 5 stars
1/04/04 Elizaveta Goes on my list of excellently done, super disturbing films 5 stars
5/10/02 Maria Jose That kind of film you can't get out of your mind easiliy. Who's the real monster there? 5 stars
4/15/02 daniel masterpiece 5 stars
3/03/02 maike kollenrott i just watched it and i'm excited - wonderful photography and haunting story 5 stars
11/28/01 Brimming with potential...almost Blue Velvet caliber...but rawer 5 stars
11/01/01 Colbeck the Unpopular this is the most menacing film I've ever seen. 4 stars
10/25/01 katie Pretty cool movie! 4 stars
9/03/01 Scribendi excellent cinematography mixed with total wierdness 4 stars
7/14/01 Carl Tait Stunning and darkly poetic 5 stars
3/08/01 420king not cool when high, so its gay 1 stars
3/07/01 Trashstar Dark and dangerous, done very well. 5 stars
3/03/01 mad hatter This movie is far better than 99.9999% of the crap out now. 5 stars
3/03/01 Michael Clark Spectacular moody movie 5 stars
1/07/01 R Parker I loved the way the film portrayed the stages of comprehending death: childish to mature. 5 stars
1/03/01 Terrie Smith Offbeat and eerie little film; not for all tastes but definitely worth viewing. 4 stars
12/06/99 Derek Botelho This movie is mind blowingly beautiful...if not a little wierd to say the least 5 stars
9/21/99 the Grinch Seriously intense psychological shit! 5 stars
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  01-Nov-1990 (R)



Directed by
  Philip Ridley

Written by
  Philip Ridley

  Viggo Mortensen
  Lindsay Duncan
  Jeremy Cooper
  Sheila Moore
  Duncan Fraser

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