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Overall Rating
4.48

Awesome71.43%
Worth A Look: 14.29%
Average: 9.52%
Pretty Bad: 0%
Total Crap: 4.76%

2 reviews, 9 user ratings


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Parasite (2019)
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by Rob Gonsalves

"Enjoy the ride."
5 stars

It’s clear pretty early on that Bong Joon-ho’s 'Parasite' — which took the Palme d’Or at Cannes and may yet claim more trophies this awards season — isn’t meant to be taken literally. Taken seriously, yes, but not literally.

The narrative has many, many moving parts, but the parts are also combustible, and they’re all arranged to detonate on cue for maximum damage. Bong makes you feel as though you’d damn well better catch every little detail, every flourish and filigree, because it’s all inexorably marching towards something. But that destination can’t be guessed at or controlled — it’s chaotic and brutal, and only retrospectively makes sense.

Parasite is yet another movie that demands to be evoked, not described (as a plot synopsis would just ruin the experience). Put simply, it’s the story of two families. One family, just scraping by, lives cramped together in a “semi-basement” apartment of the sort common in urban Korea. The other family is wealthy, and one of their bedrooms would probably take up as much space as the poorer family’s entire living area. Each family is perfectly nuclear — man, woman, boy, girl — and the son from the poor family gets himself hired to tutor the daughter from the rich family. And it doesn’t stop there; in short order, each member of the poor family ends up working for the rich family, none of whom realize their new employees are all related.

Okay, that’s a little far-fetched. It’s also narratively convenient; some of it depends on just the right character hearing just the right bit of information. But the point Bong wants us to get is how the families respond to each opening. Nitpick Parasite if you must, but you’ll be watching a different movie from the one Bong has made. The actual movie underneath all the ornate plot scaffolding has a lot of questions, some of which it can’t answer, though art isn’t built to answer questions but to pose them. Bong asks, first and foremost, what prosperity is built on, and how far down the hierarchy goes (not how far up). You may feel the boot of the oppressor on your neck, but are you also oppressing someone just by virtue of what you have and what they don’t? You may not intend to oppress, but in truth, few actively seek to do so — the ones who have more, and who oppress more, just benefit from a certain moral laxity, a willingness to tune out the screams and wails coming from below. In our culture of late, we have discussed white privilege, and how it doesn’t mean a white person’s life is easy in every way, just that it’s easier in every way than a comparable person of color’s life is. And there are privileges among the less privileged, too: a hetero African-American man enjoys freedoms that a gay African-American woman does not. And both have it easier than a disabled African-American does. They share one aspect of experience, blackness, but in other respects are not alike.

So that’s what Parasite is about, but it’s also about the duelling production designs of the poor family’s packed but lived-in pad and the rich family’s expansive but sparse rooms, including a vast living room whose vast window looks out onto a vast backyard, where the climax unfolds in such an abrupt series of feints and jabs that we may want to stop the film and go back — we don’t feel ready for it, even though we know we’re on an accelerating ride into the inferno. One action during the climax isn’t readable at first glance because, in the moment, we see the father of the poor family the way the father of the rich family sees him: not as a father but as a driver. But then we say, No, he’s a father, and what he does makes some sort of sense.

Parasite will drive the literal-minded around the bend, because its events pile up and sometimes recall the ruthless structure of a sitcom, or a slamming-door farce like Noises Off. Much is made of the smell of the underclass, or the rich little boy’s American Indian fantasies into which the grown men of both families are conscripted, or water as a harbinger of disaster and forestalled revelation. The movie is also a lot of smooth fun to watch, Bong being an entertainer above most else. Parasite flips through about ten different genres and takes the best bits of each; it feels like a relaxing buffet that expresses and sparks a love of cinema. Some of the suspense and incidents rubbed me the wrong way while I was watching, but in memory they gain stature and gravitas.

Finally, it stakes its claim as a Juvenalian satire in which products are more than once praised because “we ordered it from America,” but we Americans probably shouldn’t take that as a compliment.

link directly to this review at https://www.efilmcritic.com/review.php?movie=32934&reviewer=416
originally posted: 01/18/20 02:02:29
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OFFICIAL SELECTION: 2019 Toronto International Film Festival For more in the 2019 Toronto International Film Festival series, click here.

User Comments

8/19/20 Jack Sommersby Smug, solipsistic left-wing poppycock. A real insult to true cinema. 1 stars
5/21/20 Marty Boring for too long. Overhyped for being a foreign film most can "get" 3 stars
3/08/20 Koitus Excellent movie!! I can see why it won so many awards. 5 stars
2/22/20 Luisa Good film, had some shocking and entertaining scenes, worth a look. 4 stars
2/19/20 Chester Unique story combined with excellent acting! 5 stars
2/19/20 Considered Mostly uninteresting, not enough to occupy the mind, but well made 3 stars
1/08/20 Langano Great film. 4 stars
11/11/19 Louise (the real one) Good plot, good performances & is absolutely gripping! Superb film-making! 5 stars
10/24/19 Bob Dog Very good, but there are many very good Korean films every year. 4 stars
IF YOU'VE SEEN THIS FILM, RATE IT!
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USA
  11-Oct-2019 (R)
  DVD: 28-Jan-2020

UK
  N/A

Australia
  11-Oct-2019
  DVD: 28-Jan-2020


Directed by
  Joon Ho Bong

Written by
  Jin Won Han

Cast
  Kang-ho Song
  Sun-Kyun Lee
  Yeo-Jeong Jo
  Woo-sik Choi
  Hyae Jin Chang
  So-dam Park



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