More in-depth film festival coverage than any other website!
Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About 

Overall Rating

Awesome: 4.35%
Worth A Look: 4.35%
Average: 13.04%
Pretty Bad56.52%
Total Crap: 21.74%

2 reviews, 11 user ratings

Latest Reviews

Daniel Isn't Real by Jay Seaver

Midsommar by Rob Gonsalves

Blood on Her Name by Jay Seaver

Parasite (2019) by Peter Sobczynski

American Fighter by Jay Seaver

Moon in the Hidden Woods, The by Jay Seaver

Homewrecker (2019) by Jay Seaver

Gemini Man by Jay Seaver

Pain and Glory by Peter Sobczynski

Rusalka (aka The Siren), The by Jay Seaver

subscribe to this feed

I Dreamed of Africa
[] Buy posters from this movie
by EricDSnider

"I dreamed of not having to sit through this movie."
2 stars

After 45 minutes of nothing happening in "I Dreamed of Africa," I found myself wishing the animals would start attacking people.

This is Kenya, after all. If you're not going to show us some interesting characters and allow us to grow with them as they go through their own personal journeys, well, then at least let one of them get eaten by a lion.

No such luck. "I Dreamed of Africa" adamantly refuses to give in to the action/adventure mentality, insisting instead on going the route of "human drama." Which is fine, except that the humans in question are far from compelling, and the things that happen to them fail to arouse emotion or connection.

The film, apathetically directed by Hugh Hudson and based on a true story (a boring true story, apparently), begins in Europe in an unspecified year. (Forty minutes later, long after everyone's moved to Africa, we find out that Italy is where they started. We never do learn the time period. We also never learn why the main character and her mother -- both clearly non-Italian -- are in Italy, or where they're actually from. You'd think a movie that is so conscientiously not plot-driven could find the time to tell us these things. I can think of several 10- or 15-minute chunks that could have been omitted, for example, if it would have allowed time for these details.)

Single-mom Kuki (Kim Basinger) is in a car accident, and while recuperating, falls in love with her friend Paolo (Vincent Perez). They get married and move to Africa, with Kuki's little boy Emanuele (Liam Aiken) in tow, despite Kuki's mother's (Eva Marie Saint) fears that Kenya is no place for a young family.

But Paolo's dad had a ranch there, which the threesome takes up residence at and begins fixing up. Over the course of many years, they have trouble with poachers, lions, the weather, and snakes. They also have trouble with the fact that Paolo cannot sit still: He has to go out hunting for days at a time, leaving Kuki to handle everything herself. But she still loves him. Or so we're told.

That idea, along with just about everything else, is told to us rather than being shown. The movie has so little happening that when something DOES happen -- when a character dies, for example -- it's hard to feel anything. We never get inside Kuki's head, or anyone else's, to find out what makes them tick.

Kuki's mom eventually tells her that Africa has "brought out the best" in her. But how? We don't even know what Kuki is like NOW, let alone how she USED to be. She keeps saying that she "needed" to go to Africa. Again, why? What was wrong with her life before? If the movie knows, it's not telling us.

Basinger does all she can with what she's given to work with, but mostly all that means is looking concerned and care-worn. She and Perez might have had chemistry as a couple, if the script allowed them any real time together.

All of which makes it very hard to enjoy this film, which frequently appears as though it will never end. The African scenery is breathtaking, and the cinematography is first-rate. But when the characters' minds and motivations are frustratingly closed off to us, all we're left with is the dim hope that something adventurous will happen instead. And when it doesn't, there's no hope left at all.

link directly to this review at
originally posted: 07/04/03 18:03:45
[printer] printer-friendly format  

User Comments

8/30/05 ES Boring as all get out, characters you won't care about in a place you don't care about 1 stars
3/02/02 Tiffany Thunderhurst Touching true story but morose movie. I generously decline to rate it pretty bad. 3 stars
1/01/02 Andrew Carden Boring and Unwatchable Flop. 1 stars
8/25/01 Carolann The only thing I learned from this movie is that Kuki is the poster-mother of child abuse! 1 stars
6/15/01 Tzila Seewald This movie was amazing, It's inspiring me including landscape. It's make me alive. Love it! 5 stars
3/16/01 Richard LaPierre Your discounting the value of real life vignettes belies your need to get a life yourself. 4 stars
11/08/00 What the heck was in that egg that Perez left for Kuki? I need to know!! 3 stars
11/08/00 Lynda Miller I was extremely frustrated at the end of the film, because the viewer never finds out what 3 stars
5/09/00 The Boy In The Designer Bubble Can't Africans help themsevles? Once again whites save the world. 1 stars
4/29/00 The Rock Watch this if you have trouble sleeping 1 stars
Note: Duplicate, 'planted,' or other obviously improper comments
will be deleted at our discretion. So don't bother posting 'em. Thanks!
Your Name:
Your Comments:
Your Location: (state/province/country)
Your Rating:

Discuss this movie in our forum

  05-May-2000 (PG-13)



Home Reviews  Articles  Release Dates Coming Soon  DVD  Top 20s Criticwatch  Search
Public Forums  Festival Coverage  Contests About Australia's Largest Movie Review Database.
Privacy Policy | HBS Inc. | |   

All data and site design copyright 1997-2017, HBS Entertainment, Inc.
Search for
reviews features movie title writer/director/cast