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Overall Rating

Awesome: 19.44%
Worth A Look: 16.67%
Average: 19.44%
Pretty Bad40.28%
Total Crap: 4.17%

8 reviews, 24 user ratings

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Holy Smoke
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by Rob Gonsalves

"Wacky Campion deprogramming fable."
3 stars

I usually give unconventional movies the benefit of the doubt, sometimes for far longer than they deserve. But there's a fine line between idiosyncratic and stupid, and 'Holy Smoke' crosses it and never comes back.

It's not your ordinary bad movie; the director, Jane Campion (The Piano), never makes ordinary movies, whether bad or good. But neither can Holy Smoke really be called extraordinary. It keeps flirting with comedy; it flirts with seriousness as well. Eventually, one grows weary of the movie coyly batting its eyelashes at one tone or another.

Campion first worked this material into a novel, written with her sister Anna (herself a director; her obscure movie Loaded may have influenced The Blair Witch Project). It's entirely possible that Holy Smoke should have remained a novel, where its exchanges of ideas and dabblings in absurdity might have been more palatable. In any event, there's not much story here to power a novel or a film. The heroine is Ruth (Kate Winslet), a lost soul who's fallen into a cult during a visit to India. Her parents connive to lure her back home, where she will be deprogrammed by an "exit advisor," the legendary P.J. Waters (Harvey Keitel), who promises to have her mind back safe and sound within three days.

Campion isn't terribly interested in the actual mechanics of deprogramming, which has been handled before in such intense early-'80s dramas as Ticket to Heaven and Split Image (the latter of which boasted James Woods as the snarling exit advisor). She's taken with the idea of deprogramming as a metaphor -- for the battle of the sexes, for the paradox of relinquishing one form of control for another, even for romance. The over-confident Waters doesn't have to work too hard to crack Ruth's devotion to her guru -- it seems all he really has to do is show her a videotape and she's burning her ceremonial garb the next day.

The movie is really about what happens when Ruth turns the tables on Waters -- subjects him to her own brand of deprogramming, in which she forces him to question his masculinity, his sexual power, his very core of self-worth. Reading this, you may think Holy Smoke sounds interesting, and writing it, I'm tempted to go easy on the film. Campion does give you a lot to chew on; the trouble is, she doesn't give you anything to wash it down with afterward. Her movies can mean anything or nothing; they feel half-realized, half locked up in her head. You feel you'd have to be one of the Campion sisters to fully decode the film. And there doesn't seem to be enough there to justify the mental gymnastics of interpretation.

Campion remains a gifted pure filmmaker. She has an unerring visual sense -- a sense of what catches and seduces the eye, what makes a movie move -- and she creates moments here that feel indescribably right. Neil Diamond, for instance, is recruited on the soundtrack not once but twice; his melodramatic "I Am, I Said" is blaring when we first meet Waters, who demonstrates his machismo by dislodging a luggage cart at the airport. It's an unreasonably funny moment, bordering on prankish, and yet Harvey Keitel has seldom had a cooler introduction. It's a scene Quentin Tarantino would be proud to have thought of.

Keitel keeps his cool until the climax, when Ruth turns him into his sex slave and makes him wear lipstick and a dainty red cocktail dress; he loses his mind, and so does the movie. We get the point, but a movie by its very nature literalizes whatever it shows us, so what we see is not Man giving up his devotion to the cult of machismo, but just Harvey Keitel grovelling in a dress. Holy Smoke is worth a look for Kate Winslet's head-first performance -- she just dives right in, fearlessly, no matter how ludicrous the scene is; Keitel, no wallflower himself, matches her. They get an intriguing, erotic rhythm going. But what they say to each other mostly sounds like feminist platitudes circa 1972, even though the movie is set in the present.

Jane Campion is busily dismantling gender myths that few people take seriously any more. By exalting spiritual female power at the expense of pathetic male power, though, she continues to make herself part of the problem: True feminism is about equality, not one gender's moral superiority to the other.

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originally posted: 01/10/07 08:53:30
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User Comments

12/26/07 Mohammed kate is awesome,i wish i could see her peeing. she has a lovely bumb 4 stars
10/12/04 mas as 2 stars
10/11/04 Ian The only redeeming feature "Kate"..the worst? Harvy keitel 2 stars
2/18/04 Aslam Khan Her peeing got me really turned on. I wish I could see her cunt. 4 stars
1/25/04 Elena It was beautifully shot but I still don't get WHY Kate would have sex with that douchebag! 4 stars
8/12/03 asif stuart it was a sexiest movie with a charming kate winslet.i like it. 5 stars
12/31/02 Jack Sommersby Ambitious but pretty ridiculous. Winslet's superb; Keitel woefully miscast. 2 stars
11/16/02 R.W. Welch Some intereting aspects but much of it just drags. 3 stars
11/04/02 Sheridan Intelligent and hard-hitting, with a brilliant performance from Kate 5 stars
8/23/01 umair i want to fuck kate and want my pinis into her sexy body .And her nipple into my mouth. 1 stars
7/04/01 Piz Winslet is fucking awesome, the movie isn't as good 2 stars
2/21/01 Rocket Boy The Campion sisters create a haunting, remarkable film here. 5 stars
11/17/00 Jacob Holder Probably one of the most underdeveloped pieces of cinema trash--very, very poor 1 stars
5/15/00 Tracy What was Jane Campion thinking? And Kate Winslet for that matter. 2 stars
4/14/00 Bec Pannell Some deep concerns about the portrayal of Australians 4 stars
3/05/00 vicky harwood does she need to wet herself then not shower for 3 days? check it out 1 stars
2/26/00 Costars Wonderful parts, whole too contrived 4 stars
2/25/00 Heather Ha ha, great movie, Keitel in a dress is one of the best movie scenes this year! 5 stars
1/31/00 Annie Nomad A spiritual/sexual "thriller". 5 stars
1/13/00 graham A little bit to much humour. 4 stars
12/25/99 Tha Obsequious Bad Janatah An excellent and complex screenplay by the Campions!Jane is great in this unusual territory 5 stars
12/06/99 Kay Greeeeeeeaaaaaat! 5 stars
12/05/99 MrShowbiz Jane Campion blows smoke with this muddled psychosexual satire. 3 stars
12/05/99 PurityJustBegs Kate, oh Kate.. thou art luminous.. 5 stars
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  03-Dec-1999 (R)


  26-Dec-1999 (MA)

Directed by
  Jane Campion

Written by
  Jane Campion
  Anna Campion

  Kate Winslet
  Harvey Keitel
  Pam Grier

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